Wait until Dark

Wait until Dark is a claustrophobic thriller which finds increasingly clever ways to complicate the limited single setting of a basement apartment. A decent cast is let down by a production that never quite achieves the tension and suspense required to build towards the climactic conclusion.

Wait until Dark passes for an enjoyable evening, but doesn’t quite manage the claustrophobic thrills that the play is well known for

Frederick Knott is better known as the author of Dial M for Murder, which enjoyed West End and Broadway success before Hitchcock turned it into the memorable film. Knott only ever wrote two further plays, with 1966’s Wait until Dark his only other hit. Originally set in a Greenwich Village apartment in NYC, the recent UK revivals have transposed this to Notting Hill and this is the path taken by director Patrick Kearns.

Knott’s thriller centres around three con-men trying to locate a heroin filled doll hidden in Suzy Hendricks’ apartment. Hendricks is a recently blinded housewife whose husband is conveniently at work throughout much of the play leaving Hendricks in her apartment slowly cottoning onto the ruse that the con-men have come up with.

As its very climax, Wait until Dark should be about ingenuity and natural advantages as the sighted characters hold their breath and try to sneak around an opponent familiar with the house’s geography with the dingy basement apartment meant to be full of pitfalls that Hendricks navigates and lifelines that these eventually provide. The script to Knott’s play even guides producers on how to build the set to accentuate the tension however there is only a passable nod to this in talking Scarlet’s production, leaving the suspense somewhat lacking.

When the play was turned into a film, movie theatres had a gimmicky trick of slowly turning out all the lights in the theatre until, finally, the ending was in complete darkness. It’s a gimmicky trick that worked, and there is a whole range of lighting inspired effects that can add to this claustrophobic tension. It was odd, therefore, that this production didn’t come with a lighting designer, or at least not according to the programme. Wait until Dark requires exquisite timings from actors, sound and lighting technicians to make this tricky puzzle work onstage. Whilst Director/Sound Designer Kearns’ decently executed the sound element, the same can’t be said for the lighting. The final climatic scene being played out in complete darkness was somewhat lost by the significant light bleed from the tech booth.

It’s a pleasure to watch the actors though and Anna Brecon is an excellent Suzy Hendricks, making the early naivety through to dawning suspicion and desperation seem all too believable. Roat, played by Peter Lovstrom, has the East End gangster voice down to a tee, almost as though a director has given him a copy of Guy Ritchie’s Brit Gangster film Snatch and told him to replicate Bricktop. Amongst the rest of the cast, both Harry Hart and Samuel Clemens are convincing, in particularly Clemens who manages the nuances of the “good cop” part skilfully and persuasively.

There’s much to commend this production, and Knott’s play is a staple that should be on anyone’s ‘must watch’ list. Talking Scarlet’s Wait until Dark passes for an enjoyable evening, but doesn’t quite manage the claustrophobic thrills that the play is well known for.  

Reviews by Nicholas Abrams

Theatre Royal Brighton

Noises Off

Devonshire Park Theatre

The Mirror Crack'd


Smoking Gun

Rialto Theatre


Exeter Street Hall


Sweet Werks 2 - Werks Central

Mistress to the Midnight


Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now



The Blurb

Regular 88 London Road collaborators, Talking Scarlet, return to the venue with their newest production: Wait Until Dark.

A drug-filled doll has disappeared from a London flat and three petty crooks are anxious to find it. They work out a plot to compel the owners to reveal the whereabouts of the doll. They lure the husband away leaving his blind wife and her only companion, a little girl who lives in the flat above and tell the blind woman a terrifying story involving her husband’s supposed infidelity. She becomes suspicious and in a nail-biting climax makes use of the fact in the dark the blind have an advantage over those who can see. This masterfully constructed thriller moves from one moment of suspense to another as it builds toward an electrifying, breath-stopping final scene.

Most Popular See More

The Phantom of the Opera

From £27.00

More Info

Find Tickets


From £30.00

More Info

Find Tickets

Back to the Future - The Musical

From £24.00

More Info

Find Tickets

Frozen the Musical

From £36.00

More Info

Find Tickets


From £39.00

More Info

Find Tickets

The Lion King

From £35.00

More Info

Find Tickets