This is a piece of theatre that any actor or director will love; the sheer innovation and inventiveness of the company had me split between complete admiration and a terrible sense of jealousy almost the entire duration of the performance.We join our protagonist played charmingly by Nick Pitt as he enters into three weeks of recording for his book about aviation. At the same time, his girlfriend leaves on a trip that circumnavigates the globe on a quest of self discovery following the death of her grandmother.The plot is at times confusing and the play severely lacks an ending to support the strong beginning and middle section; however, the strength of the play is not the unique selling point of this production. The direction, discipline and stagecraft the performers present while creating all locations, props, visual aids and scenarios using forty onstage suitcases is marvellous and it is no wonder this company were nominated for a Total Theatre award at last years Festival.The two leads are strong and the young ensemble do an admirable job, however, it was at times very difficult to hear some of what they were saying and a couple of them were guilty of hands-in-pockets-looking-at-the-floor acting. With such an energetic style sheet it was a shame that, at times, the incredible dramatic tension created in the physical work wasnt carried forward into the dialogue.Having said this if you are looking for something completely different and new executed with finesse then choose this company who after last years success are firmly rooting themselves as a Fringe favourite.Ive already bought another ticket.