Traces

Traces has been amazing audiences around the world for nigh on a decade; it is a testament to the visual and theatrical power of the show that it’s lasted as long as it has. With an all-invigorated international cast, Les 7 Doigts de la Main’s most influential show is as buoyant, playful and impressive as ever.

Traces is a superb display of humanity and physicality.

Contemporary circus always runs the risk of placing style over substance, of being all spectacle and no thought. The endearing charm of Traces is in how it circumvents these traps. The performers tell us their names, personal facts about their lives, their likes and dislikes. They aren’t circus freaks and nor are they robotic trapeze twirling superhumans. They are people: they laugh, joke and congratulate each other between sequences, they ensure that Traces remains a refreshingly human circus experience.

Of course, all the typical acrobatic stunts are still displayed here: trapeze, cyr wheel and Chinese hoops are performed with huge skill and physical prowess. Yet the magic of the show is that it knows when to give us time to breathe out. There are moments of warm humour amongst the apparatus, slapstick joking and brilliantly intricate ensemble movement sequences that blur the boundaries between circus, dance and (very) physical theatre. More atypical sequences also feature – wooden chairs, skateboards and a basketball demonstrate the potential of the everyday to astonish, if approached with an acrobatic imagination.

Perhaps disappointingly there’s no real narrative here: fundamentally Traces is a succession of set pieces that merely differ in tone and scope. In that respect, it isn’t a perfect show and no deeper reactions are elicited than warmth and amazement. Sometimes though, that is all it needs. Traces is a superb display of humanity and physicality. Dazzling and prototypical, the seven fingers could well be performing for a further ten years to come.

Reviews by Sam Forbes

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Since you’re here…

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You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
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Performances

Location

The Blurb

'So thrilling, it will surely make an entire generation run away and join the circus' (Guardian). Fresh, urban and seriously high-energy, contemporary circus trailblazers 7 Fingers triumphantly return to Edinburgh. The multi-talented performers from the Montreal-based collective tumble through hoops, leap up giant poles and balance effortlessly on each others' heads in a show that mixes spectacle with intimate storytelling. Traces has dazzled critics and audiences around the world; don't miss this thrill-a-minute show that will leave you begging for more. 'Mad, pulse-raising magic. Is there anything they can’t do?' (New York Times). 'Jaw-dropping...the super-human made human' (Scotsman).

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