Watching a show at the Assembly Rooms (George St) 'Music Hall' is not quite like most Fringe experiences! Doors open half an hour before the start time. There have clearly been no 'get-in' issues. Ushered in by a multitude of staff members, I find myself in a vast room, with a massive chandelier hanging high above in the ceiling.
The child behind me asks if this is a circus, why it's indoors, It's supposed to be in a big tent, she proclaims. But this is no ordinary circus. For example, each of the five performers are not only incredibly skilled acrobats, but also rather talented pianists.
Throughout this awe-inspiring production, fine displays of movement are accompanied with varying styles of music, where each member takes turns to play the piano.
Emergency exits are everywhere. Because something terrible could happen at any moment!
I quote just one of the amusing statements issued in the opening voiceover. At times, it did indeed feel like this particular statement *could* come true. These five beautiful young people spend the show throwing themselves and each other around the stage, until they flop to the floor, exhausted. Then they get up and carry on anyway!
There is no denying that Traces is a rather incredible production. It received, and deserved, a standing ovation the night I attended. However, I did find it a little too showy at times. After every set piece, it was clear the performers expected applause. For me, this ruined any continuity in the piece, leaving a collection of random (albeit impressive) movement, acrobatic and musical sequences.
Traces deserves to be seen. There are some wonderful images and imaginative acrobatics throughout. I guarantee the end piece will leave you breathless. But in the end, I must admit the show is an adrenaline rush and little more. Still, like the best rollercoaster rides, I would happily pay to feel that rush again.