Three for Free

Three for Free is a fun and friendly showcase of new acts, featuring Alex Kealy and Patrick Morris, plus a special guest every day.

First up on this occasion is Kealy, whose set doesn’t illicit a continuous string of laughter from the audience. However, the jokes that do get a good response are hugely funny. He’s a very interesting person to listen to as well, so a lack of devastatingly funny material doesn’t seem like much of a problem – when the audience isn’t laughing they’re still hanging on his every word.

The second act is their special guest of the day, Tim Schneider, who bursts onstage with confidence and has the crowd chuckling when he’s barely said anything beyond ‘Hello.’ A lot of the content of his set is very much in teenage boy territory, but his approach to the subjects of girlfriends and male anatomy is quite clever and he’s just about strong enough to carry it off. He has a good rapport with the audience and, as with Kealy, any material that falls flat doesn’t create an awkward atmosphere. He moves along smoothly and a few seconds later it’s like it never happened.

Finally Patrick Morris takes to the stage. It’s a bit disorientating because up to this point he’s been compering and all of a sudden he’s passing the baton to Kealy, who introduces him and leaves after a quick few seconds. Ideally they’d have an extra person to compere but if that’s not possible they should maybe consider simply having each act introduce the next comedian. At the moment the short bursts of compering are almost redundant anyway – in fact, having seen Morris twice so far and not been overly impressed, it seems a strange choice to have him on last. As it happens, he’s the most impressive of the three. His material isn’t overly innovative but he’s bold, rather sarcastic and refreshingly silly.

This show is far from perfect but it’s enjoyable and energetic from start to finish. If that doesn’t tempt you, please be aware that you might get a free Jaffa cake.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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The Blurb

Alex Kealy (Finalist, So You Think You’re Funny? 2011) + Patrick Morris (Runner-up, Reading Comedy Festival, New Act, 2011) + guest = three comics for free. ‘Misleadingly positive excerpt from otherwise lukewarm review’ (All of the Newspapers).

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