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The  Tim Vine Chat Show

Tim Vine returns to the Fringe this year with an hour’s worth of puns, silly songs and audience participation. At the beginning of the show, the audience are asked to write down their name, occupation and an interesting story. Vine then studies the papers backstage and chooses four interesting candidates to interview for his all new chat show. As Vine stepped out on stage sporting a silly pair of glasses you could feel the adrenaline in the room. Everyone secretly wished they would be pulled up on stage. It was almost like we were all stood eagerly at school waiting to be picked by the team captain in a P.E. lesson.

If an interview was at all boring Vine would shout, ‘what’s been killed?’ and the audience would bellow ‘the atmosphere’. This feature is similar to Graham Norton’s red chair where Norton presses a button to tip the chair over if a story is dull. As audience members weren’t professionals, Vine had a similar problem. In fact he pulled a child up on stage who clearly didn’t want to be there. It was clear that nerves were getting to this tiny audience member and this made it difficult to recite his rather lengthy story.

Vine is amazingly quick witted. His mind is like a Rolodex of one-liners, using this rare skill to pull out gags from each of the audience members’ stories. If you give Vine any word at random it is likely that he knows a pun on it. It is quite incredible. The final guest had a talent: a squeaky eye, and he grotesquely performed his “talent” into the microphone. The audience were supremely disgusted yet this moment was also utterly hilarious.

If you detest being pulled up on stage and happen to have an interesting job such as a taxidermist, I would deter you from seeing this show. Tim Vine: Chat Show relies almost solely on audience participation. Maybe the show would be better as just a plain stand-up set of one liners, but if you enjoy the buzz of audience participation then Tim Vine: Chat Show is probably the show for you.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

The Blurb

The audience are the stars of the show! Tim Vine brings his 2011-12 sell-out show back to the Fringe. With new guests, new jokes and new nonsense, expect the pun-expected. ***** (Scotsman). www.timvine.com
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