The Submarine Show

Fifty minutes of pure immersion. During The Submarine Show, the audience is fully submerged in a world beyond the ocean. The fairly simple plot revolves around two sailors in a submarine that breaks down. They then lose the key out of the porthole and go on an adventure to find it. Couple this with a beautifully crafted soundscape and sequence of clever tableaus and movement pieces and you have The Submarine Show.

Slater Penney and Jaron Hollander here have created a singularly excellent fifty-minute production that encapsulates you and, despite the entire absence of props, causes you to lose yourself in a fully formed world that they have developed before your very eyes. The pair also interacted with and clambered over the audience in such a way that had everyone rocking in their seats.

There was also a wonderful moment where some small improvisation occurred due to one of the pair’s glasses breaking and this was blamed on a member of the audience, after which contact lenses were quickly mimed into his eyes. Another standout moment came when the two explorers first left their submarine and contextualised all of the noises they had been producing in the water by duplicating and delaying them. It is truly incredible to experience such a well put-together soundscape, with tight physicality and hilarious physical comedy.

I can imagine people not liking this show, but I am not entirely sure whether they should be at the Fringe or at any other event that is even vaguely happy. They should instead go and secure themselves in a purgatorial classroom and never leave. If you are not one of these people, do not miss the opportunity to see the world through Slater and Jaron’s eyes.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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The Blurb

Two men crash their submarine into the ocean floor. Split your sides as they swim, fly and go insane in this award-winning, critically acclaimed madcap journey! 'A mastery of physical comedy' (Huffington Post). www.thesubmarineshow.com.

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