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The Streets of London

Wherever you are in the world, living on the streets is a bleak, harsh reality. Those of us without that experience tend to fall into the trap of believing what politicians and the media tell us without really knowing the full story. Amy Wakeman created The Streets of London in order to give the homeless a voice, which in turn showcases both sides of street living and how it is depicted using well researched facts and true stories recorded on her travels.

A mindful, yet honest approach.

Julie is a balloon seller who, despite her struggles with alcohol and trying to sell her wares, holds onto hope in the form of a deflated balloon she wears round her neck that her mother gave to her before she went into care. Whilst trying to sell her wares and sharing stories of everything she has witnessed herself - including gangs, drugs, and trying to date people in a similar situation - we also are shown, through a use of projected extracts from newspapers, letter writing to the prime minister and shadow puppetry, how we have been told to view events by the media. This staging encouraged everyone to make up their own minds about the truth.

Although overall a strong piece, the first half of the play felt slow and the voice a little monotonous at times, despite an engaging energy in Wakeman's performance. However, as it all progresses, she settled into a good rhythm and we got more of a raw, honest performance, which helped to make Julie a better well-rounded character. The other thing to note is that occasionally the scene changes were too long, which meant that the energy felt like it needed to be wound up again before moving into the next section. Having said that, some might find it to be a necessary breathing space to take every bit of information in before continuing Julie's journey.

The Streets of London is not afraid to explore this particular world for the homeless with a mindful, yet honest approach. Wakeman is also keen to highlight the fact that mental health is always a challenge and one potential reason that we see so much drug usage, drinking and more when we pass by is that it masks the personal hell the homeless go through every day. This in particular was a highlight, as it made us see how people can change in the blink of an eye due to trauma and more. Whilst mental health is talked about more these days, there is still a long way to go and Wakeman portrayed that well here, creating a safe space in which to talk if we wished.

This play from Wooden Stick Theatre may not be for everyone for various reasons, but it does lift a lid on the stories we do not always see with integrity and honesty.

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Reviews by Sascha Cooper

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

Julie and her balloon are old friends, now living on the streets of London. A careleaver left without support some 20 years ago, Julie hangs on to her one remaining treasure, an old balloon. Now wearing it as a lucky charm around her neck, she makes a living selling painted balloons to passers by, whilst sharing stories about her experiences of living outside the social 'system'. This unflinching one-woman theatre piece combines comedy and raw emotion to express the ups and downs of being an outsider, from begging and ambition to booze demons and first date failures.
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