The Starship Osiris

Looking for a star-spangled adventure into science-fiction? The Starship Osiris is certainly not that: it’s much, much better. Watch the glorious disintegration of cast and script in this chaotic celebration of theatrical failure as you have never seen before.

If you enjoy your outer space with a healthy dose of anarchy, this farcical mission is one for you.

From the moment we enter the space, any boundaries between on and off-stage are already beginning to break down. Shabbily made programmes are handed out with haste by a cast being cajoled by their director, writer and producer George Vere, who also happens to be the lead actor – spotting a pattern here? Vere oscillates seamlessly between schmoozing the front row and snapping at the crew to hurry up, a pattern set to continue throughout the show as the lines between fiction and reality continue to blur.

Piloting a mission through space with a whisky in one hand and an interchangeable Starlette from his crew in the other, Vere’s chauvinistic Captain Harrison is the source of swooning and song ballads at the expense of almost every other character’s dignity – almost as if it were written that way. If you were left in any doubt of the tongue placed firmly in cheek by this company, an opening number about the Captain’s physical and intellectual prowess is ready to set you right – not allowing the song to finish until he is ready, Vere’s inner and outer diva is a delight to behold.

This production gets truly into its stride in the second half, as a worn-out Aiden Willlis breaks out of character and refuses to continue with the plot wherein he is no more than a pathetic sidekick. Ecstatic mayhem spirals further and further out of control from this moment, with the tight-knit ensemble pushing the action about as far as you can possibly take it - and then another five steps further. The Basil Fawlty of the galaxy, Vere’s apoplectic and red-faced fits escalate above and beyond the point of no return, leaving the audience literally gasping for breath with laughter.

The ultimate in anti-theatre, The Starship Osiris is so meta it hurts a little bit. Sometimes the script feels a little too self-indulgent towards the poor souls stuck flyering on the Royal Mile, but in an audience comprising of like-minded artists this was, of course, well received. If you enjoy your outer space with a healthy dose of anarchy, this farcical mission is one for you.

Reviews by Kay Tee

theSpace on the Mile

10:31, MCR

★★★
Bedlam Theatre

Standard:Elite

★★★★
Gilded Balloon Teviot

Ray Bradshaw: Deafinitely Baby

★★★★
PBH's Free Fringe @ Bar Bados Complex

Cauliflower

★★★★
Assembly George Square

beep boop

★★★
Summerhall

All of Me

★★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £600,000 to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

Despite a cast that despise him, the arrogant actor, writer and director, George Vere, will endeavour to bring you his sci-fi masterpiece. A new, award-winning, five-star sci-fi comedy farce from Willis & Vere. ‘One of the funniest shows running at the Fringe!’ ***** (ThreeWeeks). 'Of incredibly high calibre' ***** (BroadwayBaby.com). 'Superbly written and delivered by an extremely talented cast' ***** (LondonTheatre1.com). 'This show is a rollercoaster of hilarity' (Tom Parry, Edinburgh Best Newcomer Nominee 2015). Winner of the Comedy Award at the Vault Festival 2017 and shortlisted for the Brighton Fringe Award for Excellence 2016.

Most Popular See More

Wicked

From £24.00

More Info

Find Tickets

Tina - The Tina Turner Musical

From £12.00

More Info

Find Tickets

The Mousetrap

From £24.00

More Info

Find Tickets

Mary Poppins

From £24.00

More Info

Find Tickets

The Lion King

From £36.00

More Info

Find Tickets

Come From Away

From £24.00

More Info

Find Tickets