The Red

Debuting as a writer and director, TV’s Marcus Brigstocke – known for his comedy and occasional film roles – brings us The Red, a play informed by his own experience battling alcoholism for close to thirty-years. The two-hander stars real-life father and son duo Bruce and Sam Alexander who in this fictional piece play father, John, and son, Benedict. We meet the pair on the day of John’s wake, in John’s wine cellar. He encourages his son to drink a bottle of wine (via a letter composed before his death) that he purchased for him on his second birthday, a beautiful bottle of wine he says, the exact same age as Benedict and valuable for its quality.

The piece never drags even for a moment, so spellbinding is Brigstocke’s writing

An hour in the company of John, Benedict and The Red speeds by. Despite featuring just the one conversation about drinking – or not drinking – a bottle of wine the piece never drags even for a moment, so spellbinding is Brigstocke’s writing. Perhaps it is true that nothing beats a story told from the heart. I do wonder if the supreme ease, naturalism and warmth that the actors brought to the stage is due to their relationship. It is without a doubt my favourite acting of the Fringe 2019 so far. Both actors share a soft lyricality to their performance, their gentle tones causing you to lean forward in your seat to drink in every aspect of their performance.

The tension throughout is perfect, emotionally charged without being sensationalist; gripping, but in a melancholy way. The play focuses mostly on theme of alcoholism with a strict reading of the text, however the undercurrent of loss and grief – mostly demonstrated in the acting – is a real masterpiece of subtlety and so much more poignant for it. The tender conclusion equals the emotion built up in the body of the play.

This work feels like something I should have been seeing at The National, or some other prestigious theatre, but the intimacy of the Fringe is all the more appealing. The set is magnificent, the close quarters adding to the quiet drama of the hour-long scene, and it's so invocative you can almost smell the sweetness of the wine and the creeping damp in the air.

The Red is not one to miss at the Fringe, sure to enjoy a packed run, book yourself a seat now.

Reviews by Millie Bayswater

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £600,000 to support theatre workers affected by the pandemic.
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Performances

Location

The Blurb

Benedict's dad loved wine. He loved collecting it, drinking it and sharing it with friends and family was an act of love. Benedict was a teenage alcoholic. He's been sober now for 25 years. On the day of his father's funeral, Benedict receives an unsettling final bequest: a bottle of exceptionally fine red wine. Will he drink one final toast to his father? Originally commissioned for BBC Radio 4, Marcus Brigstocke writes and directs this bittersweet drama of family and addiction, based on his own recovery. BBC Audio Drama Award winner 2018 for Best Single Drama.

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