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The Rat Pack - Forever Swinging

Just as one’s heart sinks when sent to review Shakespeare done by students or kids, when I was told that this young company were attempting their own version of the West End hit I wasn’t expecting too much. After all, these young guys were going to pretend to be some of the greatest singers of all time – Sinatra, Davis, Martin. How could they possibly do that?

The answer is they don’t, and the show is all the better because of it. What we have here is almost a pastiche, or homage, but carried out with such exuberance and panache that it really is worth waiting till well after midnight for. Nor is it just this company’s boundless energy that carries the day. The large band, all under twenty years of age, are extraordinary musicians and give us fantastic renditions of all the rat pack standards. When called on for solos none of them disappoint.

Louis Hartshorn, who also directs, takes on the role of Dean Martin, and as I said above doesn’t try to mimic the great man too closely. His own voice is excellent, as are those of Martin Kaye as Sinatra and Simon Ginty as Peter Lawford. Ginty (and therefore Lawford) is only in this by default, the actor playing Sammy Davis Junior being indisposed just days before the company came to Edinburgh. Perhaps that’s why he gives Lawford an American accent when he was a true Brit. But what the hell, that’s not the point of this show, as witness the many northernisms (most of these guys are from Manchester Grammar School) that inadvertently found their way into the banter.

The three main singers are ably assisted by Olivia Heagarty, Catherine Slater and Helen Hutchison as the Berelli sisters. The show could do with a little more structuring, though the slightly chaotic energy is part of its charm. The bottom line is that after nearly four weeks of reviewing shows of distinctly varying quality this cynical reviewer discovered the spirit of the fringe alive and well in these young people, taking risks, throwing caution to the wind, being impossibly ambitious and thoroughly enjoying themselves.

The punters feels very involved – it’s one big party to which we’re all invited, and the singers engage well with their audience. Indeed, Hartshorn managed to pick the best-looking person in the room to flirt outrageously with. Deano would have approved.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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The Blurb

Start spreading the news! The new live music swing sensation blasts into Edinburgh. The energetic melée makes a move on the Festival with sharp suits and smooth vocals. Party and play among the stars including Frank, Sammy and Dean.
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