Engaging and frustrating, imaginative and jumbled, original and derivative, this piece by the experimental company Sister Sylvester uses both professional housekeepers and professional actors to create a contemporary response to Jean Genet's 1947 play "The Maids," an absurdist tragedy based on a true crime case. Though often fascinating, the show is haphazardly conceived and, despite the presence of actual cleaners, a bit of a mess (1:20).