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The Lady Vanishes

Drawing inspiration from Hitchcock's 1938 comedy thriller, The Lady Vanishes is the story of a young Englishwoman, Iris Henderson, touring Europe by train and the mysterious unexplained disappearance of her travelling companion, Miss Froy. To make it worse, after her disappearance, no one on the train admits to ever seeing Miss Froy and a plot of secrecy and espionage slowly reveals itself through Iris's interactions with the other passengers on the train.

At least, that's the general outline of the original film's plot. For the most part, this production - put on by Big Spirit Theatre - follows that outline. Where it deviates is mainly in its pacing. The entire performance is given with a kind of scurrying speed, quickly darting from character to character and room to room, with much of the dialogue coming at the audience at a similarly exhausting pace. This is not necessarily a bad thing as, for the most part, it makes some of the interactions much funnier. The pace and unrelenting movement of players allows for a lot of humour in the chaos and clumsiness of characters entering and exiting scenes.

The whole performance is made more entertaining through its physicality as the ensemble cast - many of whom never leave the stage - hurriedly run around and become part of the set or act as a kind of chorus, speaking lines in unison at the audience or the characters in the scene. They even make up most of the set design, often using their movement to represent a bustling train station or the train’s motion.

It is clear, however, that with its use of pacing the ensemble is expecting the audience to come with some level of familiarity to the show's plot. Much of the exposition and mystery of the plot is removed and replaced with funny but shallow reveals. In total, Miss Froy was probably missing on stage for all of ten minutes before she was found quite easily. The threat implied by the mystery only makes a cameo appearance before being immediately dispersed. All of this condensing of the script is done with a self-awareness that does quite a bit towards making the play very entertaining, although ultimately rather devoid of plot.

In their retelling of The Lady Vanishes, Big Spirit have put together a production which is never dull and rather imaginatively staged. The fast pace and reduced plot make the show quite hilarious, as they are both acknowledged and utilised extensively, but without some prior knowledge of the story these elements could make the production come across as a little thin.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

The Blurb

The classic movie now onstage. It's 1936 and Iris Henderson wants to get home to England. The only thing is, the old lady who sits opposite has vanished and Iris has to find out where she is!
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