The King's Got Donkey's Ears!

In the perfect setting of the Scottish Storytelling Centre, sixty or so children of varying ages and sizes sat enraptured by the accomplished storytelling and puppetry of the Theatre of Widdershins. Not only funny, not only highly inventive, not only a bright and original story - one with which I was unfamiliar - but by far the most imaginative, creative use of staging in Edinburgh. Amazed little faces watched enthralled as each scene brilliantly and cleverly transformed into another. Though complex and detailed, the plot is delivered with clarity and care by a performer who clearly knows how to work his audience - starting slightly tentatively but gaining confidence and momentum as the show proceeded.Andy Lawrence, the sole performer of this delightful piece, conducts his audience with consummate skill, slowly and considerately delivering his gentle tale. Each scene of the story allowed him to offer up yet another inventive and intriguing character or device, much to the uncontained delight of the audience. He even finds time to put the puppets aside with some inventive audience participation, indulging in a hilarious piece of brain surgery - thrills and coos as strange objects are drawn out from the patients head. In world full of brand names, mass marketing and corporate middle ground children's entertainment, it’s a rare thrill to meet a children's performer who takes as much care and effort and his work as Andy Lawrence. It's a show riddled with surprises, humour and some excellent puppet work. The love and care he takes in the creation of his work is inspiring, and is well-rewarded by the attention given it by the audience. And there's certainly enough here to keep any child diverted. A happy, gentle and loving show well worth a visit by children of all ages!

Reviews by Ian Billings

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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The Blurb

Ears! Funny things ... but imagine being cursed with great big furry ones! That's what happened to King Orik. Highly visual puppetry and energetic storytelling combine to retell Greek myth. ‘Fringe gem’ ***** (List, 2006). www.widdershins.co.uk

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