The Intervention

A family gathers together to stage an intervention for an alcoholic son. Mother and father can’t stand their son Zac and don’t seem much keener on each other. His second-best friend is babbling about the locked door and his aunt appears to be using the opportunity to show off her descriptive writing skills. Meanwhile proceedings are supervised by an AA counselor who is way out of his depth. What could possibly go wrong? Well, as it turns out, quite a lot.

Dave Florez’s new play at first appears to be pitched somewhere between black situational comedy and farce, peopled with a thoroughly dislikeable group of middle-class Chicagoans. Around half-way through there is an abrupt gear change- too abrupt in fact- and suddenly Zac’s description of the intervention as “a David Lynch version of a Bar mitzvah” seems somewhat understated.

Revelation piles upon revelation until ennui sets in. Revealing the nature of these revelations would spoil them, so may it suffice to say that a theme done to death on the Fringe is once again dredged up, dealt with in a trite and rather sensationalist manner. There is an interesting point to be made about the ways people try to escape from family- Zac’s drinking certainly seems to be as much life-sustaining as life-destroying- but it gets lost amidst the onslaught.

The saving grace of the play is the excellence of the acting. Though the cast may be made up of those better known as comedians they tackle the dark stuff as well as the funny. Even towards the end, where the plot twists called for the actors to do a great deal of standing up and shouting, their responsiveness to events was a joy to watch. Amongst a uniformly strong ensemble cast Jan Ravens stood out in particular as the mother, Martha, a woman whose pursed lips and tightly crossed legs spoke volumes. Florez wrote the play with Phil Nichol in mind as Zac and there was a concentrated energy to his performance that did much to avoid his lengthy monologues lagging.

Despite the fairly significant flaws in the script this is a play worth seeing for the acting alone. You just may need a stiff drink afterwards.

Reviews by Charlotte Kelly

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

The Blurb

Explosive new drama following one family’s intervention on their alcoholic son. Arabella Weir, Jan Ravens and Mike McShane lead all star cast in Dave Florez’s darkly humorous play. Fringe First 2011. ‘Dizzyingly brilliant stuff’ (Scotsman). ‘Golden nugget’ (Guardian).

Most Popular See More

The Mousetrap

From £30.00

More Info

Find Tickets

Tina - The Tina Turner Musical

From £12.00

More Info

Find Tickets

Moulin Rouge! The Musical

From £30.00

More Info

Find Tickets

Wicked

From £25.00

More Info

Find Tickets

The Phantom of the Opera

From £30.00

More Info

Find Tickets

Mamma Mia!

From £15.00

More Info

Find Tickets