The Institute delves into the psychological condition of post-traumatic stress disorder, broadly presenting some of its potential causes and symptoms, as well as posing questions about how one can overcome it. This theme unfolds through three different storylines that co-exist and intersect, until it is finally revealed that they are inextricably bound together.
The script is quite interesting, if not entirely original. For the most part it is well written and efficient in getting its message across, although it never moves far beyond the surface of things to draw an in depth psychological portrait of the characters. It is also successful in keeping its final revelation at bay, although the ending itself comes across as abrupt and somewhat contrived.
A number of interesting directorial choices spruce up the script in the performance itself. For example, the fact that in the opening scene the lines of the trapped Maya are delivered by two actresses instead of one maximises the effect of claustrophobia thus creating twice as much tension. The small scenes where we find out what has caused the PTSD of the two Institute patients are cleverly done in slow motion while the memory itself is narrated on tape. This distances both audience and character from the event, whilst creating the impression that the memory itself is almost fluid and difficult to grasp. These directorial choices are supported by acting that is good, for the most part, as excellent acting could only result from fuller characterisation. A song included towards the end is a fine touch that brings to the surface a certain degree of sensitivity and empathy for the subject at hand.
All in all, a successful atmosphere is created as each character tries to find a way of making peace with his demons.
