The Greenville Ghost

The Greenville Ghost, a new script by Tom Bonnington, is a laugh-a-minute farce about two struggling hoteliers who decide to invent a fictional ghost to draw in clientele.

The cast members revel in their roles and have exceptional comedic timing.

Charlie is a hopeless businessman, the type who spends the money they don’t have on a new fridge, then champagne to celebrate the purchase of said fridge and then champagne flutes from which to drink the celebratory fizz. His wife, Edith, the sensible one of the pair, despairs of his madness and is not reassured by Charlie’s idea of branding themselves a haunted hotel to drum up business.

When newspaper journalist Hardy arrives and claims to see the very spirit that Charlie has fabricated, Charlie thinks his plan has worked, although Edith is not so convinced about Hardy’s motivation: can they trust him? What madness will they encounter next?

The cast members revel in their roles and have exceptional comedic timing. Max Fitzroy-Stone is charismatic as Charlie, balancing the idiotic with the endearing. As Edith, a woman of dry wit and quiet intelligence, Saffia Sage is a brilliant foil to his ridiculousness. The character of Keynes, priest and paranormal enthusiast, is not as three-dimensional as the others, although I enjoyed Joseph D’Angelo’s portrayal. James Esler is great as quick-thinking newspaper man Hardy and I loved the contrasting relationships he had with Charlie and Edith.

The pacing is tight, the presentation is bright and the simple set of a rug on the floor, a desk, a lamp and some wilting flowers in a vase suggest a hotel foyer, while allowing the actors plenty of playing space. The Greenville Ghost has a witty script and escalating absurdity in the situation, with a very satisfying climax, although I did want a bigger payoff in the final scene. Farces seem to have gone out of fashion in contemporary writing – certainly I haven’t seen much of this type at the Fringe – but this play is well worth a look.

Reviews by Emma Gibson

theSpace @ Venue45

Love and Information by Caryl Churchill

C venues - C nova


theSpace on the Mile

The Beanfield

Pleasance Dome

The Hampstead Murder Mystery!

theSpace on the Mile

Marching for Necie

Paradise in The Vault

Women of the Mourning Fields


Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £600,000 to support theatre workers affected by the pandemic.
Donate to Acting For Others now



The Blurb

What would you do with a failing hotel? Young hoteliers Charlie and Edith decide to invent a ghost: a World War One soldier, who may or may not have been a conscientiously objecting Quaker, with a handlebar moustache. This satirical farce from veterans of the acclaimed York Drama Barn looks at the consequences when stories take on lives of their own. In a city famed for its outlandish ghost stories, why not venture to a play that creates another?

Most Popular See More

Tina - The Tina Turner Musical

From £13.00

More Info

Find Tickets

Mamma Mia!

From £31.00

More Info

Find Tickets

Les Miserables

From £22.00

More Info

Find Tickets

Pretty Woman: The Musical

From £18.00

More Info

Find Tickets

Matilda the Musical

From £25.00

More Info

Find Tickets

Mary Poppins

From £31.00

More Info

Find Tickets