The Castle

As an unfinished text imbued with deep mystery, ranging from menacing abstract bureaucracy to detailed recounted memories, Kafka’s The Castle is a challenging undertaking, but the Old Dog Theatre Company have done an admirable job.

An engaging piece, with sections of powerful insight

As a collective of young actors and puppeteers, switching between puppetry, more conventional acting, and snippets of dance and physical theatre, they successfully manage to provide windows into the strange atmosphere of the land protagonist K has entered into. The actor in this main role performs with a charm that is engaging and natural to the role.

The costumes and use of props were beautiful and also held in balance being evocative of 20th century village life, whilst retaining an abstract flexibility that allowed the setting to form more fully in the audience’s eye. The use of shirts and clothing without bodies as puppets was an impactful technique, which conveyed the impersonal nature of the bureaucrats on the rare occasions when they were sighted. On the other hand, it was always going to be a challenge getting across the pervasive influence of the more commonly unsighted officials from the Castle, but perhaps it was too easy and direct an option to use a booming voiceover to portray their all-consuming authority.

Some of the plot is slightly lost with the need to introduce new characters that K encounters in short spaces of time and with a limited and unevenly distributed range of actors, not all of whom are quite as accomplished. At points, it can be confusing that the same actor is required to play consecutive roles, re-entering the main scene through the mobile door prop in quick succession. The infatuation and ensuing arguments between K and his lover Frieda were also not given quite enough time to seem fully formed, yet the production also attempted to explain their respective motives in a more concrete way than is given in the original text.

As a whole, though, it was an engaging piece, with sections of powerful insight, and others that admirably attempt to pull together the multiple threads of Kafka’s genius.

Reviews by Jonathan Mayo

Greenside @ Infirmary Street

The Castle

Underbelly, Cowgate

Courtney Pauroso: Gutterplum

The Stand’s New Town Theatre

Limmy: Surprisingly Down to Earth, and Very Funny

Heroes @ The Hive

Joz Norris Is Dead. Long Live Mr Fruit Salad.


Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £600,000 to support theatre workers affected by the pandemic.
Donate to Acting For Others now



The Blurb

A dynamic adaptation of Kafka’s last, unfinished novel. Far from home, K. struggles to unlock the secrets of the castle. He wages a war of wits against the elusive official Klamm, certain that it is only by standing face to face with the divine authority of the castle that he will ever find his place within this strange society. Old Dog Theatre’s visual storytelling combines both puppetry and physical theatre to breathe new life into Kafka’s poignant exploration of man's place in society. Will K.’s pursuit of the castle alienate him from his fellow man?

Most Popular See More

Pretty Woman: The Musical

From £18.00

More Info

Find Tickets


From £29.00

More Info

Find Tickets


From £27.00

More Info

Find Tickets

The Play That Goes Wrong

From £25.00

More Info

Find Tickets

The Phantom of the Opera

From £31.00

More Info

Find Tickets

Tina - The Tina Turner Musical

From £13.00

More Info

Find Tickets