The Burlesque Imposter

Fanny Dent was a woman on a mission - to see where she fits in (if at all) into the world of burlesque. Using her own real life experiences as a platform, Dent created a one woman show that was unique in itself. Demystifying what burlesque really is about via the use of comedy, burlesque routines, and cheeky anecdotes.

Dent was no burlesque impostor, but a star in the making

In more recent times we have become used to burlesque as a form of glamour and style, whilst clothes are being removed in the form of a strip tease. However, Dent reminded us that there was more to the history of burlesque, as it was originally a form of satire in the Victorian Music Hall used to mock the upper classes. Burlesque allowed the performers to bring the level of comedy to a more base level than a standard comic would have done previously. Over time, burlesque came to be more associated with strip tease rather satire, and Dent's exploration of her own journey looked to bring burlesque back to its original roots.

Using a very simple stage set up of a changing screen, numerous quick costume changes, a hat stand, and a chair, Dent introduced us to a world in which a very insecure "geeky" plump girl ended up going to burlesque classes to enable self love to occur. The lighting was simple, but dramatic, using a mixture of shadows and simple spotlighting. Dent's sharp comic wit (which was occasionally self deprivating) was refreshingly honest and up front, with no holds barred. Her routines added a sense of freedom which is rare to see in any burlesque performer in these current times. They had an energy that was reminscent of a wild cat, and with the class of Gypsy Rose Lee, which was mesmerising to watch and a lot of fun to enjoy.

The show would have benefitted from being on a slightly higher stage so that the audience at the back would have been better able to see the dynamic floorwork within Dent's routines in more detail. Sadly, a lot of it was lost with the seating being on the same level as the stage, so we couldn't see much of what was happening.

Despite this though, The Burlesque Imposter was a hidden gem of the Brighton Fringe that took burlesque to another level. Despite what the title indicated, Dent was no burlesque impostor, but a star in the making and needed to be watched to be believed.

Visit Show Website

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Since you’re here…

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You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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The Blurb

The true story of cabaret artist, Fanny Dent. As someone who uses burlesque to tell stories, Fanny doesn't need to be beautiful and feminine. Or does she? Have you ever felt like you can't live up to the unrealistic expectations you set for yourself? Fanny has always believed that deep down, she is special. That she can outshine everyone else and create true masterpieces - if people could just recognise real talent when they see it. Of course, that’s impossible to live up to, but Fanny can't quite bring herself to give up on the idea that she is a true genius. Judge for yourself whether her routines live up to her lofty standards and join Fanny as she tells the story of why she started performing, and how real-life events inspired her to expose her fears, fantasies and ultimately, failures on stage. ‘A great feel for comedic timing’–This is Cabaret.

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