Terabac

If you’re a budding ecologist who also has a love of physical theatre, Terabac is the show for you.We are guests at the wake of a dead mouse whose carcass, we are told, will be used by an array of insects. A David Attenborough-esque narrator guides us through the opening scene as some clever physical theatre plays out - the two actors carefully taking apart the mouse before climbing inside its empty shell.

the piece can be best described as part lecture, part theatre

As the play continues, we meet a wide range of different insects that are brought to life by the ensemble cast. The two actors that specialised in physical theatre were often a joy to watch as they became different creatures. A particular highlight was their depiction of the evolution of a butterfly.

These impressive movements were accompanied by a live soundtrack that created an eerie setting, dragging us into the underworld to be with our insect counterparts. Camilla Saunders was skilled at using minimal noises and some sparse accordion to bring the world to life.

The costumes and props, all eco-friendly, were beautifully crafted by Andrea Carr from recycled materials and rubbish. They made for some visually stunning scenes throughout the play. Sadly, at times the costumes and props outshone the performances and I often found myself trying to figure out how things were made rather than listening to the words.

As Terabac goes on we are told, in depth, about the way that dung beetles behave and how Brazil nuts get their pollen. Whilst interesting, it didn’t seem fitting for the insect cabaret setting that we’re supposed to be in. At times I was unsure who the piece was for. It flitted between being educational, something more akin to a kids show, to then having sexual references that would be more suited to a late night cabaret.

The piece can be best described as part lecture, part theatre and it raised some valid and interesting points about the impact of climate change on the insects of the world. It’s clear the company have a great interest and knowledge in ecology, and this shines through the piece. I certainly left knowing a lot more about dung beetles than when I went in, which can be no bad thing.

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Since you’re here…

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You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Performances

Location

The Blurb

Enter cabaret-land, where a troupe of insects have gathered. Foraging vestiges from our human world and with bold integrity, they tell us about their domain. Fantastical hybrid costumes, hovering words, buzzing soundscapes; the show is subversive, comedic and thoughtful. The utterly strange rituals, feeding and procreating habits of these creatures are out of this world, with their quick turnover of generations, speedy adaptation and intricate inter-dependency. But as the theatre of insects progresses, we realise they have an urgent message to convey, are we ready to listen? BSL (British Sign Language ) Interpreted performance: 28th May. Touch tours available 30 minutes before the first performance each day. Please email [email protected] to book.

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