Steam

Steam lives up to its name, delivering a staggeringly intense hour of physical theatre. It’s original student writing that’s brimming with ideas and brilliantly executed.

Steam feels incredibly fresh, examining issues of abuse and trauma through a different lens than many other shows at the Fringe.

Set to an addictive electronic soundtrack from Alexander McNally, the cast launch into some slick choreography, telling the story of Eve’s (Rosa Cains) relationship with two men (Jim Murrell and Joseph Gabriel Vogarty-Graveson) and the scars they leave behind. Writer and director Dom Luck confronts the audience with Eve’s deteriorating mental state in an intensely visual and visceral manner. A chorus of three women jabber and molest Eve, representing her fraught inner dialogue and mental turmoil more powerfully than a purely naturalistic performance – though perhaps the chorus could have been more energetically deranged to put further pressure on Eve. The strong physicality lends the piece a surprising power; Eve is literally assaulted by her thoughts.

Some intense performances up the ante further, turning the play into a pressure cooker of violent emotion. Both of Eve’s boyfriends have a consistently turbulent stage presence and almost smother the audience as much as they do Eve. Indeed sometimes the relentless intensity can become exhausting, and the lack of respite from heated emotion can sometimes come at the expense of subtlety of characterisation.

Luck’s occasionally over-fraught prose is part of the problem here, and his repetition of certain passages can become an annoying stylistic quirk. He often writes very well for Eve however, and both the prose and Cains’ delivery in her final scene is refreshingly stark and honest. Overall, the sense of Eve’s traumatic experience slowly taking over her life until she’s “numb to everything except it” is achieved with devastating results.

Luck’s ability to spill the contents of Eve’s mind on to the stage makes for some really engaging theatre – all the more impressive considering that this is student writing. Inventive, brash and arresting, Steam feels incredibly fresh, examining issues of abuse and trauma through a different lens than many other shows at the Fringe.

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Performances

Location

The Blurb

Steam depicts one woman grappling with traumas buried deep in her past. Eve is in a relationship, but something's not right, odd things are happening to her and she seems to be losing her grip on reality. Flashes from her past relationship suggest a secret is hiding there, one she's too scared to confront. With her mental state deteriorating and relationships past and present colliding, Eve is left to decide what to confront and what to keep suppressed. Using stark natural dialogue and visceral movement sequences, Steam tackles relationships, abuse, love and emotion with a raw honesty and verve.