Stardust

Let’s talk about drugs. Let’s talk about the way we talk about drugs. Most importantly, let’s talk about the drugs industry itself, and the effects that the production and export of cocaine has had on the livelihood of Latin America. Beginning life as the result of a collaboration between the London collective Blackboard Theatre and Columbian artist Miguel Hernando Torres Umba, Stardust is an eye-opening, heart-pounding solo show that is destined to become a sell-out hit at the Edinburgh Fringe.

Stardust is a show of extremes, both deeply emotive and piercingly cynical.

There are several intertwining stories at play here: modern socioeconomic context is wound around the tale of the coca plant, considered a sacred gift from the gods by the indigenous people of South America and - of course - rapidly converted into profit once discovered by colonists and returned to Europe in the 15th century. What begins as a TED talk soon turns into something much more: an impassioned plea on behalf of a maligned and misunderstood country, with Umba mocking, embracing and ultimately rejecting the gun-toting, powder-sniffing stereotype inflicted upon himself and his fellow citizens.

It’s a fast and furious race through theatrical genres, aided by ample use of beautifully designed projections that take us from the jungles of Columbia to the streets of London in the blink of an eye. Ever wondered what taking cocaine might do to your body? A particularly well-executed sequence of both the highs and devestating lows experienced by Class A users will save you the trouble of finding out.

As a writer and performer, Torres Umba is nothing short of exceptional. From scene to scene, he owns the stage like a man possessed: whether sashaying through a drug-fuelled Saturday night or leaping into the arms of unsuspecting audience members, it’s impossible to avoid absorbing some of his infectious energy. The novel idea of appearing to run the narrative through ‘secret’ prompts from his team, hidden in white boxes amongst the audience to keep the show ‘fresh’, means that there is a sense of dangerous instability as we wait with baited breath to hear what is to happen next. Flirtation turns into fixation with the innocuous powder, as Miguel confesses to us that he has never actually tried cocaine himself. The assumptions made by airport staff, UK police and passers-by, then, become all the more powerful.

Stardust is a show of extremes, both deeply emotive and piercingly cynical. Originally intended as a conversation starter, this is a show that you’re going to be raving to your friends about for the rest of the festival.

Reviews by Kay Tee

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Since you’re here…

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You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Performances

Location

The Blurb

Winner of VAULT Festival People's Choice Award 2018. 'Gloriously fascinating' ***** (LondonTheatre1.com). 'Crushing and funny. More than highly recommended' **** (Everything-Theatre.co.uk). 'A dazzling show' (AYoungerTheatre.org). 'Theatre can change the world. This is one of those shows' (MyTheatreMates.com). Stardust shines an unflinching light on Colombia's heart of darkness. Mixing together new writing by Immersive Ensemble founder Daniel Dingsdale, physical theatre and hand-drawn animation, Colombian artist Miguel Hernando Torres Umba and Blackboard Theatre bring you an irreverent, entertaining and impassioned investigation into the human cost cocaine production and consumption has in Latin America and further afield.

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