Squidge is a debut solo show that follows Daisy (Tiggy Bayley): a begrudged teaching assistant in Lower Sydenham looking after a troubled boy at primary school. Navigating grief, purpose and the inadequacy of the educational system, Bayley has created a beautiful show that will simultaneously tickle your funny bone and pull on your heartstrings.
A beautiful show
Avoiding the grief of her brother who passed away, Daisy drowns out her feelings by sleeping with a plumber the day after the funeral, wanking and sitting on the sofa. Though she is fed up with the mundanity of day-to-day life, her job demands that she must remain by Paddy’s side and, despite his behavioural difficulties, finds herself developing an unexpected bond. They sit through special educational needs classes with the insufferable Miss Grimsby who introduces ‘Squidge’ - an imaginary character who watches over the session and is awarded to the child with the best behaviour. After discovering that Paddy’s younger brother has also died, his bond with Daisy strengthens and simultaneously starts to trigger the release of uninhabited, uncontrollable distress. Death surrounds Daisy and she is swimming in grief, reaching breaking point when she is betrayed by someone whom she thought understood her pain.
Directed by Selwin Hulme-Teague, Bayley’s performance is subtle and understated, captivating the audience with her refreshingly authentic realism. Her dry humour cleverly catches you off guard, showcasing both her impressive writing and exceptional delivery. While the story has its heart-wrenching moments, it never over-dramatises the tragedy—a common pitfall in dark comedies. The most touching aspect of the piece, however, is Bayley’s portrayal of Paddy. Rather than mimicking a child, she skilfully embodies Paddy’s words and behaviours with striking naturalism. This creates incredibly endearing exchanges between him and Daisy, highlighting the vital role that caregivers and teaching assistants play in children’s lives. The one limitation to the performance is Bayley’s tendency to use an upward inflection, particularly as she is easing into the show. Though it is a subtle point, this indicates a feeling of hesitancy that would be improved by grounding herself further in the moment.
With a heartwarming conclusion, Squidge is a charming and unique play that truly stands out amongst the crowd at this year’s Fringe. With loveable characters and a moving story, this is certainly one to watch.
