This musical is about adolescent sex. Onstage.Spring Awakening follows a group of teenagers struggling to cope with the clandestine world of sex in conservative 19th-century Germany, and doesnt pull its punches - the original Frank Wedekind play was banned in Germany for its explicit subject matter. There is a risk in modern versions of shows famous for their once-shocking subject matter of relying simply on their scandal value to make the production buzz, but this production has a more mature take on the play leaving room for the actors and audience to explore the issues beyond the historical context of the show.I should tell you that the hype around Spring Awakening is huge. The heavily-adapted musical version has been a cult hit amongst musical-theatre fans across America and the UK and I know of at least six student productions coming up in the new year. If you cant sing The Days of Purple Summer then you just arent in musical theatre. Many companies were disappointed not to get the rights for the fringe production - or at least, they will be until they see how wonderful this one is!The imaginative and effective blocking relies heavily on the whole cast working together and at times watching the show is like watching the insides of a complex and beautiful machine. The company exude a wonderful ensemble attitude in their interpretation, their hours spent together on the RSAMD MA programme enabling powerful acting and stunning movement during the big numbers. The superb leads Helen Hart and Andrew Keay rightfully command most of the audiences attention, although the humorous buffooning of Seth Leiber and the ever-present characterisation of Kristopher Bosch make them stand out from the ensemble. This young cast bring a mature note to the show everyone is talking about.
