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Special Ed and the Shortbus

Cowering away from the insistent drizzle under a table umbrella near the beer tent, my mood was not of the best when Special Ed and the Shortbus appeared in the entrance of the Spiegeltent and gave a taster of their music. Spirits lifted immediately.

Damp and slightly steaming, once inside the venue, I was soon made to forget the insistent rhythm of the rain as the first notes were played. Toes started tapping seemingly of their own volition as the merry cocktail of bluegrass, rag and honky-tonk filled the tent, whose decor of wood panels and mirrors evoked both a Victorian pub and a Western saloon, providing an extremely apt backdrop for the sounds coming from the stage.

The young five man acoustic band play with verve, vigour and a true feel for the roots of their chosen idiom. Which stilted critic-speak completely fails to convey the sheer fun and laughter of the show. Yes, there is laughter, caused by the saucy lyrics of some of the songs but even while not laughing I defy anyone not sit and listen to these guys without a broad smile on the face.

“Special” Ed Brogan on guitar and vocals appears to be the leader of the band but the main audience rapport is provided through Josh Bearman (mandolin, banjo, bass , vocals) and Aaron Lewis (fiddle, vocals). The rhythm section, Jake Sellers (washboard, trap set, percussion) and Ben Belcher (bass, banjo, vocals) are in the best tradition self-abnegatory and still the solid backbone of the music although the entire band contribute to the rhythmic shuffle than is integral to this tradition.

Ah, tradition! I doubt very much whether any of these chaps are real hillbillies, looking for the most part like a bunch of keen Greenwich Village student-types grown up a bit. Bearman looks remarkably like my mate Stu, which means nothing to you but made me feel more kindly towards them. Aaron Lewis, however, cowboy-hatted, Hawaiian-sunset-shirted and proud bearer of a beard he must have started growing when he was in his infancy provides the necessary visual nudge as to where these guys are coming from, emotionally and musically if not geographically.

If you like this sort of music, you must go. Everyone else should go and those who leave without having had a good time are just not the sort of people whom I would want to meet. Merchandise is on sale after. I bought some.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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The Blurb

Sensational stablemates of the Wilders, these award-winning musicians from Virginia have been tagged 'bonkers but brilliant', 'a bubbling fountain of virtuosic insanity' and a 'many limbed frenetic, bluegrass beast' (Maverick). Highly entertaining, fun-filled, must-see.
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