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Son of Dyke

I have a slight confession of bias. Any show that warms up its arriving audience with music by Kate Bush has, as far as I'm concerned, already earned at least three stars - as well as my immediate goodwill.

Son of Dyke is a tender, grounded show about grief.

Of course, it's possible for the subsequent production to squander the latter and descend the star ratings. However, Son of Dyke, written and performed with charm, energy and real heart by Jordan Waller, doesn’t put a foot wrong.

On the surface, this is an autobiographical study of Waller growing up as the gay son of two Lesbian parents, and his search for his biological sperm-bank-depositing father. Some might be offended by his self-comparisons to Jesus (though there are photographic reasons for this) or the fact that, while Waller was bullied at school, it wasn’t initially because of either his own sexuality or because he had two mums. Well, that did happen eventually; thanks to advice from his Kate Bush-loving, non-birth mother Dawn, Waller found a way to turn things round to his advantage.

Deeper down, though, Son of Dyke is a tender, grounded show about grief. Waller’s sometimes humorous attempt to track down his biological father and then meet up with his previously unknown half-sibling are blatant attempts to fill the hole in his life left by Dawn’s death. Even more significantly, Waller decides to become a sperm donor himself: although one does wonder if that’s chiefly to get a great wank routine into the show, or to make a serious point about how much gay men now rely on the internet rather than their imaginations when it comes to reaching orgasm.

You don’t need a father to still be a man, Waller insists more than once. For all the script’s witty gay asides, there’s plenty for “straight” audiences to enjoy. After all, grief and pain are common enough human experiences. Waller’s conclusion – to accept his losses and not let it stop him bringing more people into his life – may verge on trite, but is nevertheless a dash of wisdom that’s well worth remembering and sharing.

Reviews by Paul Fisher Cockburn

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

Location

The Blurb

Following a sell-out, five-star run at Vault Festival in London, Son of Dyke is the hilarious true story of a young, cocksure gay man who crumbles after the death of his lesbian mother, which launches him on a journey to find his sperm-donor father. Written and performed by Jordan Waller (ITV's Victoria, Darkest Hour), it's an evening of outrageous humour and poignant storytelling that gets to the heart of what it means to be a modern man. 'Dynamic, delicate, direct and definitely something you should go and see' ***** (AYoungerTheatre.com).
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