A darkly humorous one-woman physical theatre piece with an elaborate costume made of black bin bags. How do we deceive ourselves in order to survive? Encountering a piano, she receives advice from over-sized teapot. Poetic, absurdist scenes traverse from loss, redemption, to the importance of zebras and vacuuming. A site-specific piece performed in a sixteenth century courthouse - juxtaposing formality and containment with wild episodes of madness and the mundane. 'The most extraordinary performance I saw' (Sunday Times, Sri Lanka). 'Moments of pin drop perfection' (Daily Starr, San Francisco Fringe Festival).