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Something in My Shoe

Those who rushed in to Ian Saville’s magic show just before starting were in danger of thinking that the performance had already begun. Saville stood at the front, entertaining the audience with gentle wit by informing them that the act had yet to get going. Gentle is a good word to describe Saville; a performer who downplays his tricks for the sake of effect, eschewing flashy props or the lure of building himself up. He differs from conventional children’s conjurers by combining panto style jokes with deadpan puns, helping his all ages appeal. His ability to keep his entire audience amused was seen when he officially began the show with a simple but brilliant gag which plays on the eagerness of young audience members to stick their hands up. That they were being made the punchline of the joke went over the heads of the already giggling kids but it allowed the grown-ups a good chuckle.

As the show progressed, Saville continued to play off the children, who within minutes were straining forwards, desperate to point out what he was deliberately missing. It is no small feat to keep such a rowdy crowd entertained for 50 minutes but he did so by responding to some of their more bizarre ideas and these moments often got the largest laughs. Adults were entertained not so much by the events on stage but by how he managed to control the children’s reactions.

Through the rise of TV magicians, we have become used to seeing ever more jaw-dropping illusions performed. By contrast, Saville’s tricks do not appear particularly creative, which is part of the reason why this show is more suitable for younger children for whom the disappearance of a handkerchief is something relatively new. However, the seeming simplicity of his sleights of hand have their own silly charm, particular as he toys with magical conventions through his ridiculous conversations with his ‘assistants’ (a length of rope and a toy rabbit).

Go see this show if you want something that will amuse the parents while engrossing the children. And don’t you want to go anyway, just to find out what exactly is bothering Saville in his shoe?

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

The Blurb

Ian Saville's magic show for children aged 4 – 10 and their grown-up friends. 'Really captures the children - low-key, apparently simple tricks which they can't quite get to the bottom of, and wonderful joining in' (Scotsman).
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