Simon Munnery: And Nothing But

There have been a lot of Simon Munneries over the years.

It is no strain to spend an hour or more listening to the outpourings of this marvelous comic brain

We’ve had Simon Munnery the absurdist bureaucrat with a clipboard, Simon Munnery with a bucket on his head, Simon Munnery as a comic dictator standing on top of a bus and shouting.

More recently we’ve seen Munnery the “fylm maker” – using props and home movies to create a new style of pictorial humour.

But it really is a sheer delight to see Munnery appearing as himself and to spend an hour flying alongside his gloriously inventive, enormously clever and irredeemably tangential mind.

Even this unplugged version of Munnery dips in and out of different styles. He takes on the manner of a football supporter to extol the wonders of supermarkets. He becomes an impressionist – albeit one with a strange perspective.

There is a brilliantly clever, logical and funny argument in praise of feminism, with a devastating sideswipe at capitalism.

Munnery even becomes a prop comic, donning an unnecessarily elaborate wooden costume to give us his own one second version of the Can-Can.

There’s something of a Will of the Wisp about his style of humour, something light, ethereal, that dances briefly on the wind and then is gone. Sometimes his punchlines are so perfect, so brilliantly written yet so understated that you can almost fail to catch them as they fly past your ears.

You don’t want to miss a single one of his poetically beautiful jokes – but it is no strain to spend an hour or more listening to the outpourings of this marvelous comic brain. Munnery wears his brilliance more lightly than ever and there is an offbeat warmth to his performance which makes it an absolute joy to be in his audience.

His description of the most boring first date ever, delivered in the solemn but ludicrous style of a Radio Four play had me crying with laughter.  

Reviews by Claire Smith

Soho Theatre

Hans Teeuwen: Real Rancour

★★★★
Brighton Spiegeltent

Meow Meow

★★★★
Republic

Briefs

★★★★★
Multiple Venues

Simon Munnery: And Nothing But

★★★★
Leicester Square Theatre

Margaret Cho: The Psycho Tour

★★★★
Otherplace at the Basement: The Pit

Alexis Dubus: Cars and Girls

★★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £600,000 to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

Simon returns once again to what he does, being himself for an hour. He will consider The Absurdity of Houses, lament The Neo-Con Con, perform The New Can-Can, extol The Joy of Washing-Up and generally tell it like it is, was, and might be if we could but get our fingers out. All rise.

Most Popular See More

The Lion King

From £36.00

More Info

Find Tickets

Pretty Woman: The Musical

From £18.00

More Info

Find Tickets

Wicked

From £24.00

More Info

Find Tickets

Only Fools and Horses - The Musical

From £27.00

More Info

Find Tickets

Blithe Spirit

From £24.00

More Info

Find Tickets

Matilda the Musical

From £25.00

More Info

Find Tickets