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Show Pony

Have you ever wondered what it is like behind the scenes for circus performers? Have you ever wondered what happens to them when they reach middle age? This engaging, funny and moving show lifts up the back of the tent to expose what lurks behind. Indeed, the brilliant trick of this show is to answer all those questions that have wandered across the back of our minds but have never made it to the front of our mouths.

There is top-class satire, but the show is raised further by the other elements in the mix

Devised by still hungry and Bryony Kimmings, the show is presented and acted by three female circus performers from Chamaeleon Berlin. With charm and great comic timing they wittily explode the conventions of circus shows – especially the additional demands and fantasies loaded onto the shoulders of female performers.

There is top-class satire, but the show is raised further by the other elements in the mix. The performers – all highly successful in their circus careers – go into technical demonstrations of their skills, with discussions on the pleasures of the moves, the desire to push boundaries, and the philosophy of the acts, such as the aspects left unsaid about contortionists. Characteristically, this is also undercut by a reductive summary: strong shoulders chooses straps, the feather-light girl takes to a rope act, and the bendy girl is a contortionist.

Each woman tells the story of how she became a circus performer. We are shown pictures from childhood and told of the family circumstances and the joys, motivations, and pressures on the young girls that led them into their paths. The stories are simple and simply told, and all the more moving for that. We move on to the exhilaration of teenage rebellion, the grasping for freedom – and finding it – and the excitement of success in their careers.

The women describe themselves as show ponies, but they are middle-aged, and we know what happens to horses once they are past their best. The tribulations of ageing have been a touchpoint throughout the show, and this now takes centre stage as each woman imagines a version of the future for the three of them. Three separate visions, but with their friendship as a common theme.

One of the performers makes the comment that no one wants to hear a middle aged woman moaning. Well, if it is as dazzling, witty, captivating and moving as this show - yes we do!

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Reviews by Mark Harding

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

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The Blurb

Do you know what happens to acrobats when they hit middle age? Neither do still hungry, but they're going to use every trick they have to try and figure it out. Packed full of love, laughter and lunacy, Show Pony by still hungry and Bryony Kimmings is a joyful scream into the face of the patriarchy that challenges us to question our prejudices towards age and femininity, on stage and off. By the makers of 2019's award-winning hit Raven (The Scotsman Fringe First, Three Weeks Editor's Award).
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