Shaedates: or How I Learned to Love Myself

Shaedates is a show about finding yourself – quite literally. Although this one woman show holds together, parts that work are closely coupled with moments of cobbled surrealism within an unfocused narrative. Its got the vibe of a quirky American indie film and all the inauthentic sentiments that come with it.

Break this show into all its components its good, however, it just lacks a real emotional kick.

After Shae’s boyfriend fails to arrive to various events, she is forced into a self-realisation that it's ok to spend time on her own, which manifests as a second Shae to spend her time with. That’s pretty much the plot but it takes half the show to get to that point. There is nothing wrong with the setup, there is plenty of good stuff in it. But the lack of focus on what the show is meant to be about deters from the message. There is a section about a hide and seek competition that completely derails the show and has no later significance.

A lot of the running time is dedicated to descriptions of people, the scenes etc. there is good writing here and at its best flows like a Steve Martin short story. Though it does feel like it is more suited to the written page rather than on stage. There’s also big chunks of surreal narrative but it doesn’t flow naturally, it seems forced and over studied. With a handful of solid one-liners in the show, focusing on these for future projects might provide a knockout.

The acting is good it’s just a shame that the character is a bit bland. I never really grew to care about her as she seemed like a wet blanket even when her character arc requires that she becomes more confident. The take home message seems to be “it’s alright to be on your own”, maybe I’m missing something but I was unaware that that’s something people would be worried about.

Break this show into all its components its good, however, it just lacks a real emotional kick.

Reviews by James W. Woe

The New Theatre

The Voice Factor [X]

★★★★
Smock Alley Theatre, 1662

God Has No Country

★★★★
Smock Alley Theatre, 1662

The Quare Fellow

★★★★★
Gilded Balloon at the Counting House

The MMORPG Show

★★★
Pleasance Dome

Lou Sanders: What's That Lady Doing?

★★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

Performances

Location

The Blurb

After her award-winning performance in This is Where We Live – Best Play, Fringe NYC 2014, New York Critics' Choice, ***** (Time Out) – Shaelee Rooke is back with her new one-woman show, directed by Toby Hulse. Shae has a boyfriend but she knows he's not the one. Then she notices someone else... someone different... someone who's always been there. A tender, surreal and wildly imaginative comedy about a woman who finds true love by dating herself. 'A superbly acted, thought-provoking adventure' (Bristol Ferment).

Most Popular See More

SIX

From £39.00

More Info

Find Tickets

Matilda the Musical

From £24.00

More Info

Find Tickets

Wicked

From £25.00

More Info

Find Tickets

The Phantom of the Opera

From £30.00

More Info

Find Tickets

The Lion King

From £35.00

More Info

Find Tickets

Frozen the Musical

From £36.00

More Info

Find Tickets