Séance

It’s Halloween evening at the Brighton Open Air Theatre and what better time for a séance? Even if it has to be a socially distance séance – there’s no hand holding or group glass-moving in these especially strange times. With a bright full moon beaming above and the day’s rain finally over, I turned up in anticipation of my first live theatre since lockdown and the opportunity to embrace the uncanny on this night when the veil is thinnest.

Sent the audience into ripples of laughter, not shivers of fright

The evening was billed as “for adults” and, as we arrived, spookily dressed volunteers whispered warnings of mysterious happenings. Unfortunately, Séance never lives up to this fright hype. Despite a willing audience, many of whom had dressed up for the occasion, the show never captured anyone’s attention long enough to really send chills down the spine. A jump scare worked the first the time, but became less effective upon repetition, and a lack of finesse in the performance meant that it was hard to suspend disbelief.

You don’t attend a séance expecting all new set pieces, but using the same tricks makes it easy to compare against more slick performances with the same format, such as those by the charismatic and quick witted Griffin and Jones. Perhaps the sterile nature of the Covid-secure performance didn’t lend itself to unearthly terror and flights of the imagination, but thoughts remained firmly on sanistiser rather than ectoplasm. Often the focus was on what couldn’t be done (due to Covid), instead of building anticipation for what was to come. Explanations were long winded and off pace, and it was easy for attention to drift – especially when the performance was competing against small firework displays in the near distance.

Our resident Ghost Hunter, the single performer leading the séance, only really seemed to hit his stride when unexpected things happened. An added bonus of holding a séance outdoors on an October evening is that the visiting spirits might choose to embody themselves in a gust of wind, creating supernatural moments where props toppled onto the stage. The on stage volunteers seemed game, but generally unconvinced of the Ghost Hunter’s powers and their hesitant and droll responses sent the audience into ripples of laughter, not shivers of fright. The Ghost Hunter played off this and other unplanned moments of comedy – a BOAT volunteer on occasion needing to spray the stage microphone with sanitiser was another element of joviality - with good humour, but never gained the authority necessary for the performance to be effective.

Nonetheless, it was a certainly a treat to spend Halloween at BOAT, even if the show had fewer tricks than hoped for. All of the Covid-secure measures put in place certainly felt safe and seeing live theatre again after so long added a sense of grandeur to the occasion. Fingers crossed for BOAT’s first ever Christmas programme to go ahead as planned and the opportunity to be back watching performances again soon.

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Reviews by Elanor Parker

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★★★
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★★★
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★★★
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★★★★★
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The Snow Queen

★★★★
Brighton Open Air Theatre

Hansel and Gretel? (A Postmodern Pantomime)

★★★★

Since you’re here…

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Mama Biashara
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Performances

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The Blurb

Halloween. The night where the realm between the living and the deceased overlap. Join us for an evening of immersive experience as we open our minds and our senses. Attempt to know the unknown and take a glimpse beyond the illusion of reality. Will the eternal question of what lies beyond be answered? Will the spirits rise?

Join the Ghost Hunter for a spirited and theatrical evening in the open air, under the light of the full moon. Do you dare to take part in this socially distanced séance? Wrap up warm ready to be chilled – gothic attire, vintage best and Halloween costumes also welcome! The bar will be open to toast with spirits or warm your bones with hot drinks. Feel free to bring your own soul food snacks and frightful feasts for sustenance.

Part of Brighton’s Blue Moon Halloween Season, treat yourself to a series of haunting performances that also includes Tales from Greywing House, under the light of the rare blue moon. These events mark the launch of an exciting new partnership between Brighton-based cultural producers Lauren Sweeney and Nikki Shaill. Previous credits between these two creatives include immersive theatrical dining feasts, festivals in graveyards, night carnivals, lantern parades, after-dark takeovers at National Trust and Historic Royal Palace heritage properties, experimental museum lates and much more. Indulge in spirited and spine-tingling fun this Halloween!

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