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Sarah Keyworth: Lost Boy

Sarah Keyworth’s Lost Boy is very difficult to fully describe. Mainly because it is one of those shows that comes together at the very end even though at the start, their thoughts and jokes are very much like individual stars. Scattered, but come together in a rather grand and awe-inspiring way.

Lost Boy is very much the ‘life at the end of the funnel’

Taking us through their life through and post pandemic, Keyworth tells us about their plan to write a show with just the silliest jokes that they can think of and something about mangoes. Lost Boy is proof that Keyworth has managed to do just that. From pranks gone wrong to getting idioms wrong, Lost Boy at its heart is about Keyworth’s relationships with other people and the everyday little absurdities they possess.

Keyworth’s tone throughout the show is in one word, incredulous, and that incredulousness translates to a disbelief and joy that is contagious, completely lighting up the room. It’s hard not to see the world through Keyworth's eyes and wholeheartedly agree with their perceptions, to take their world as gospel on things like the types of people to wear white trousers or the roles of grandparents.

Personally, I didn’t expect to get emotional at a stand-up show of all places, but there is a moment where I genuinely thought that Keyworth may have driven me to tears. This does speak to Keyworth’s masterful craftsmanship, that they are able to induce such feelings of sadness and gravity before cheering us right up again.

Keyworth keeps us giggling beyond the joke, so that by the end we need to actively stop in order to come up for air. Keyworth calls this show their ode, and it is, we can feel that in the material, but there is an underlying joy, and Lost Boy is very much the ‘life at the end of the funnel’.

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Reviews by Katerina Partolina Schwartz

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

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The Blurb

If comedy equals tragedy plus time, then boy, this is going to be good. As seen and heard on Live at the Apollo, 8 Out Of 10 Cats, Dark Horse (Comedy Special) on Amazon Prime Video, Roast Battle, The Guilty Feminist Podcast and BBC Radio 4's Are You A Boy Or A Girl? 'Powerful, poignant and achingly funny' ***** (Herald). 'Superb material... extremely funny' ****½ (Chortle.co.uk). 'Utterly engaging' **** (Telegraph). 'A comic who's here for keeps' **** (Times). 'The most hilarious visual images' **** (Scotsman).
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