Cambridge University, 1928. Virginia Woolf is abruptly ordered off the grass and refused entry to the library. Her crime? Being a woman. Following this, Woolf interrogates the crushing injustice of women living in 1920's Britain. With an incisive mix of integrity and visceral charm, Woolf forms her ideas about Shakespeare's Sister, Jane Austen, Charlotte Bronte and Aphra Behn among others. A unique interpretation of Virginia Woolf's fundamental ideas about gender, creativity, and thwarted opportunity. Highly critically acclaimed, this outstanding show provides a witty and provocative homage to one of feminism's brightest minds. Heather Alexander (Best Actor - Buxton Fringe) brings Woolf's iconic text to the stage. In this witty, poignant and provocative production, reminds us that the issues at the heart of A Room of One's Own remain as relevant today as they were a hundred years ago. "Lock up your libraries if you like. There is no lock, no gate, no bolt you can set upon the freedom of my mind!" Outstanding, Fringe Review This is an exquisite performance North West End UK refined, intimate, and literary pleasure British Theatre Guide A beautiful portrayal by an accomplished actor at the top of her game. Fringe Review Alexander's fine performance is searing and visceral. Buxton Fringe Winner Best Female Actor A performance of subtlety and skill Broadway Baby Heather Alexander lit up the stage Reviews Hub Alexander is a delight to watch. Her assured performance is pitch perfect Wee Review This is a wonderful theatrical representation of a timeless essay.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

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Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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