Do you enjoy roller coasters? I bet you’ve never been on one like this. Welcome to Wes Peden’s Rollercoaster, a thrilling display of juggling set to electro beats composed from distorted roller coaster sounds.
This performance pushes boundaries and showcases a new style of juggling
Peden seems to be pioneering the field of juggling with new materials, such as a four-metre see-through tube that he wraps around his body, moving a ball through it. The performance occasionally falls into loops that can feel slow but create a hypnotic effect, almost like falling into a trance. And while there are traditional forms of juggling, including balls, plates, rings, and clubs, which demonstrate mastery, they are not the highlight of the show. Rollercoaster is unlike any other form of juggling you’ve seen. It’s worth noting that the show’s name appears to derives from the verb “rollercoaster,” meaning to move up and down, reflecting the movement the show evokes, rather than the noun “roller coaster.”
The entire choreography is set to dissonant electro music that evokes the sensation of a roller coaster. This choice complements the show’s unique and somewhat dissonant nature, but it remains thoroughly entertaining. The soundtrack is actually a remix of real roller coaster sounds, creating an intriguing experience by transforming a familiar noise into something both recognisable and distinct. Peden does not speak throughout the performance; instead, he relies on a recording narrated by a robotic AI voice to share personal stories related to roller coasters.
As you enter the venue at Assembly Roxy, three large inflatable blue structures dominate the stage. These units can be separated and rearranged, then brought back together, creating a dynamic and ever-changing environment. Accompanied by props carried in orange plush baskets, the stage continuously evolves. It feels both fluid and cosy, enhancing the overall playful atmosphere.
There is something quite endearing and very sweet about the whole performance. This charming dream-like effect seems to stem from a combination of Peden’s innocent and playful nature, the childlike atmosphere created by the colourful props and high socks, and the overall theme of roller coasters and theme parks. The orange baskets from which he pulls his props add to this whimsical, nostalgic feel, enhancing the performance’s appeal.
Rollercoaster is well worth seeing as a pioneering example of contemporary juggling. Despite some pacing issues, this performance pushes boundaries and showcases a new style of juggling. It’s definitely worth experiencing. What is more, Wes Peden’s future work is something to watch out for, as it may well transform our perception of juggling and roller coasters.
