Ripper is a bloody good rock musical. Do you dare to delve into the mind of a killer, the detective hunting him, and one of his victims? Pete Sneddon's Ripper is a psychological thriller centred on Victorian London's most infamous murderer. The chilling reality is that Ripper could be anywhere, he could be anyone and he might be after you.
A bloody good rock musical
Staged at the intimate 'black box' venue at the Hill Street Theatre, Ripper returns for its second year at the Edinburgh Festival Fringe. Set in 1880s Whitechapel, the 90-minute rock musical explores the societal trauma of the era, weaving a tale that is both thrilling and emotionally resonant. Reflecting on his own traumatic experiences, Pete Sneddon transforms them into a mental autopsy of a madman, examining the terror he inflicts on the community.
The narrative follows police detective Frederick Abberline in his desperate pursuit of justice. The story adds layers of tension and suspense as he attempts to catch the elusive killer and protect his beloved Mary, a prostitute. As Abberline chases the madman, his sanity begins to unravel. The production's minimal staging complements the gripping storyline and powerful performances, allowing your imagination to work its magic.
The dynamic cast breathes life into the chilling story of Jack the Ripper. While Colin McGowan delivers a convincing performance as a sergeant, the three lead actors truly shine. Stephen Kerr excels as the lovelorn detective Fred, and Belle Quinlan captivates as his love interest, Mary. Belle’s ability to convey strength, deep despair, and fragility in her character is outstanding.
The stage electrifies every time Alex Lyne steps onto it as the manic Jack the Ripper. Heavy rock musical numbers perfectly capture his raging temper and uncontrollable urges. If Alex ever retires from acting, he could have a promising future as a heavy rock frontman. The production borrows from modern popular culture in its musical choices and character development, while also maintaining the gothic gloom of the Victorian era. It’s an unholy union of Phantom of the Opera and Dexter.
The talented cast, combined with Sneddon's captivating music and lyrics, creates a must-see theatrical experience ready for larger venues. Themes of trauma, isolation, fear, suppressed urges, and mental health feel more topical than ever. By the end of the show, you're left with an unsettling thought: could there be a Ripper inside us all?
