Red Bastard: Lie With Me

The Bastard is back! Returning after taking a year away from the Fringe to conquer the world, Red Bastard, the beastly bouffon, is here to feast on our lies and he has prepared a spectacular smorgasbord for us to share whether we want to or not.

A bacchanal buffet of frank admissions and delicious guilt

Lie With Me is only Red Bastard’s second show and yet it feels perfectly crafted; an opening that is light years away from the monstrous character throws us off as Eric Davis appears sans red hood to explain himself and his reasons (or lack thereof) for being there. He promises us that there’s no ending to his show in a frank series of admissions before Red Bastard arises and takes over the narrative.

This is a show about lies. Lies and love and the lies we tell about love. Red bastard wants to challenge the audience, to make us face how duplicitous and hypocritical we can be about our relationships and the presumed ‘rules’ of monogamy. There’s a lot of questioning of the audience and this show relies greatly on willing engagement from the ticket-buying public. In some shows this would be a risk but Red Bastard isn’t one of us so it’s easy to open up to him. He’s such a wretched yet intriguing creature that we find ourselves answering his probing questions and delighting in his salivations at our various slights and mistruths.

Davies has created a character that allows him to present what, in any other guise, would be a by the numbers solo show about betrayal and infidelity but, in the guise of Red Bastard, it’s a bacchanal buffet of frank admissions and delicious guilt served up with a side of fear.

If you’ve ever lied to a loved one, this show could be your confessional, but don’t expect forgiveness from Red Bastard; only understanding.

Reviews by Frodo Allan

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £600,000 to support theatre workers affected by the pandemic.
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The Blurb

How free is your love? You're about to find out. Every. Single. One of you. Red Bastard has come to Edinburgh to expose the lies we tell our lovers and those bastards who made us lie in the first place! Complete sell-out 2013/14. Red Bastard returns to charm, disarm, shock and seduce in this brilliant new show. 'Jaw dropping' ***** (Scotsman). 'Red Bastard will change your life' ***** (Skinny). 'Top 5 shows in the UK' ***** (List). 'Not a show. This is an experience' (Edinburgh Evening News).

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