A 'pratfall' refers to the slapstick action, common in clowning, of falling and landing on the buttocks. Pratfall doesn't so much as fall flat on its arse as on its face. Glasgow-based Threadbare Jugglers may tout themselves as performers dedicated to 'creating new exciting performances' which blend 'physical theatre and circus skills with contemporary theatre styles and aesthetics,’ but Pratfall delivers on none of these promises. 

The succession of cringe-worthy gags that ensues almost brings vomit to my mouth.

Andrew Barrett and Lee Partridge don't seem to have grasped the truism that if comedy isn't funny, it ceases to be comedy. The same is true of entertainment generally, and Barrett and Partridge fail to entertain with impressive consistency.

Set in a scarcely believable dystopia in which the government has declared clowning illegal, Pratfall follows the prognostications and procrastinations of Balderdash (Partridge) and Piffle (Barrett) as they despair, deliberate and dilly-dally in the face of the new law. Amid a stage more untidy than most teenagers’ bedrooms, the pair select disguises in order to hit the street incognito, their red noses negating any chance of these proving efficacious. Barrett and Partidge have so many props that they can't even find them amid all the unartistically arranged clutter that litters their playing space. Even when they do, the succession of cringe-worthy gags that ensues almost brings vomit to my mouth. Some of these one-liners might have come off if they'd been left at the level of physical comedy but, true to form, Barrett and Partridge deliver their punchlines like nails in the coffin of comic effect. In fact, the jokes are so bad that, at least during the performance I witnessed, the clowns failed to raise so much as a titter from their audience.

Perhaps Barrett and Partridge's brand of obsolescent slapstick (commedia dell'arte it is not) would have come off in a more intimate environment; here it withered before a near-empty theatre, but I suspect that even in more auspicious surroundings, this production would have fallen flat. 

Reviews by Rik Baker

Pleasance Theatre

Folie à Deux


Albee Vector the Sound Collector

theSpace @ Symposium Hall


Assembly Roxy

Anthem for a Doomed Youth

C venues - C nova


Pleasance Courtyard

Hot Cat


Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £600,000 to support theatre workers affected by the pandemic.
Donate to Acting For Others now



The Blurb

Two unexpected heroes, Balderdash and Piffle, are two clowns on a mission to save the world using circus, songs, sword-fighting and slapstick. Consumerist giants have criminalised street entertainment after a study proves it distracts the dutiful public from shopping. Balderdash, the more experienced veteran of the two loves the idea of leading the clown revolution, but paranoid protégé Piffle has his doubts. As the world outside becomes greyer and duller, our heroes must overcome their fears and short spans of attention if they are to win the funny fight. Send in the clowns!

Most Popular See More

Life of Pi

From £19.00

More Info

Find Tickets

Everybody's Talking About Jamie

From £25.00

More Info

Find Tickets

Mamma Mia!

From £31.00

More Info

Find Tickets

The Lion King

From £36.00

More Info

Find Tickets

Les Miserables

From £22.00

More Info

Find Tickets

Pretty Woman: The Musical

From £18.00

More Info

Find Tickets