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Pint Dreams

Pint Dreams, a short play devised by the Tin Box Theatre Company is a nostalgic piece of storytelling well worth catching before the end of the Brighton Fringe. There’s nothing quite so satisfying as sitting in a pub with a drink being told a story, and that’s the pure form that Pint Dreams takes. In the 21st century, simplicity is incredibly underrated but Tin Box show that they’ve got enough personality to carry a show from the comfort of an armchair.

Tin Box hit the nail on the head with Pint Dreams, saying so much more about the art of storytelling itself by breaking down barriers just as much as they just tell a good story.

Elena Voce Siriani plays Maggie, who tells the audience a story of her travels about a pub landlady called Edith. Edith was a Romany traveller who settled down when she won a pub in a card game, where she fell in love and then inevitably, lost love, and had to raise the baby left behind on her own. It may be a story that we’ve all heard before in many guises, but Tin Box shine because of their engaging manner of storytelling, incorporating puppetry, music and audience interaction.

Sometimes, I find it all too easy to fall asleep behind the fourth wall if what’s on stage can’t hold my attention. But Siriani has an animated personality with extraordinarily empathetic eyes that an audience can’t help but like; and she manages all this whilst transferring some of her boisterous energy into the deft handling of the puppet used to play Edith. Like all good puppetry, the audience find themselves responding to the puppet over the master as if it were real, and thereby the audience find themselves rooting for Edith. The engagement is focused by the audience being referred to as characters in the story, there was one moment in particular where Edith’s son Isaac locked eyes with a beautiful woman across the room, that was played out with hilarious awkwardness by two audience members. Accompanied by David Gray (impressively) on guitar, harmonica and vocals, Siriani creates the atmosphere of the bard, with an audience sat round a campfire when stories first began to be told (as far as we know), and were passed on by word of mouth.

Tin Box hit the nail on the head with Pint Dreams, saying so much more about the art of storytelling itself by breaking down barriers just as much as they just tell a good story. It’s well worth just half an hour of your time.

Reviews by Veronica Aloess

Puddles

★★★★

The Door

★★★★

Pint Dreams

★★★★

In Extremis

★★★

Words Apart

★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

The Blurb

Maggie is a perpetual wanderer. Desperate to see new places, meet new people and collect their stories, she is travelling around the country one pub at a time. Brighton is her next destination. Join her for a drink, some hearty food and a chance to hear the stories that have shaped her journey, before you continue on yours.
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