Piaf

Piaf opens with a spectacular tableau of the entire cast. All the ingredients for this show are visible: the keyboard, the accordion, the guitar, the drums and an audience longing to hear the unmistakable voice of Piaf pumping out those unforgettable songs that captivated audiences in Europe and the USA. Sadly, disappointment awaits.

The supporting cast take on multiple roles and many do a good job creating vignettes.

Italia Conti Ensemble starts off disadvantaged. Described variously by critics as ‘frail’ (New York Times) and ‘pallid’ (The Guardian), Pam Gems’ play is anything but a gem. It also omits many of the most popular songs and paints Piaf in a uniformly unflattering manner.

An ageing Piaf scurries around the characters frozen in mid-movement, looking up and down at the figures who influenced her. As they come to life, her story begins to unfold. That Piaf fades into the background and another takes over.

Let’s freeze there. Director Sue Colgrave has decided to cast three Piafs to cover three stages of her life. Shannon Giles, Nicola Agada and Théa Carter play the early years, world success and the final years respectively. In some circumstances, such a device might work – as in the 2007 Piaf biopic La Vie En Rose – but here it destroys any sense of continuity and imposes three completely different styles and voices on the music.

In the world success phase, there is nothing that bears any resemblance or has anything to do with Piaf. The only difference between the early portrayal and the final years is a grey wig and some ageing makeup. Carter does make her appear credible in terms of looks and some mannerisms; when she is dying, though, she still seems to have youthful energy and agility of movement. For the most part, she captures her sound in some songs, but there is no consistency between her speaking and singing voices.

As we flit from one affair to another in her life, alcohol and drugs take over and there is nothing anyone can do to help her out of this downward spiral. The supporting cast take on multiple roles and many do a good job creating vignettes in a heavily dissected play which covers a lifetime.

Those of a superstitious persuasion might suspect that a cast of thirteen would not be a good omen and in this instance they would be right. Predictably it ends with Piaf’s signature chanson. Given her life it’s unlikely that she could honestly say, 'Non, je ne regrette rien'; the same will probably be true for Italia Conti Ensemble. 

Reviews by Richard Beck

Tristan Bates Theatre

Wine

★★★
Above the Stag Theatre

Kids Play

★★★★★
Tristan Bates Theatre

Revelation 1:18

★★★★
Tristan Bates Theatre

No Help Sent

★★★★
PRINT ROOM at THE CORONET

The Outsider (L’Étranger)

★★★★
Upstairs at the Gatehouse

Prairie Flower

★★

Performances

Location

The Blurb

Italia Conti BA actors present Pam Gem's biographical drama focusing on the life of French chanteuse Edith Piaf. An intense, heart-stopping journey incorporating music.