A re-discovery of self-identity. That’s how one could describe the plot of this remarkable one-man musical, brilliantly presented by Noam Tomaschoff. Written after Tomaschoff discovered that the father who raised them was not their biological father, the show serves as an emotional release, capturing the complex feelings experienced during this pivotal time in their life.
It's definitely worth watching
The show is exceptionally well-written, brimming with fun, witty, and exciting moments, especially within the lyrics. Tomaschoff's narration and descriptions are so vivid and specific that, despite the limited props, you can easily visualise every scene. Their acting is absolutely stellar, allowing the audience to read their emotions through their eyes alone.
As for the composition by Ryan Peters, while it may be simplistic and not immediately memorable, it is effectively used to set the scenes Tomaschoff creates on stage. With further development, the music holds great promise and could significantly enhance the overall quality of the show.
During the performance, Tomaschoff’s speech was clear and understandable, but the music during the songs felt somewhat subdued. Improved mixing of the music with the vocals would greatly elevate the production.
This show has a lot of potential. Even though it’s still a work in progress because Tomaschoff is still living their life and figuring things out, it’s definitely worth watching at the Edinburgh Fringe. I can’t wait to see how it grows in the next few years!
