There are some novels so enduring, that their stories can be told again and again in any medium, whether that be written word, stage or film. This is such a novel, created by Ken Kesey in 1962 yet still as engaging now as it was then. Celebrating the novel's 50th anniversary, this production, directed by Paul Taylor Mills in association with Amy Anzel, does not disappoint.
The story follows a recent admission to a mental institution; enigmatic Randle Patrick McMurphy was gaoled for statutory rape of a 15 year old girl and joins the ward for evaluation. McMurphy causes havoc from his first day, antagonising head administrative nurse Nurse Ratched with his incessant rule breaking antics and upsetting routines. McMurphy's quest to sabotage order in the ward comes to a head when he organises a party, brings in his prostitute friends and persuades one of the women to take one of the in-mate's virginity.
This production is incredibly well acted, with a commendable mention to Annabel Capper who plays a dominant Nurse Ratched and Steve Buchanan who plays McMurphy. Their relationship is fantastically tense and oozes contempt.
The highlight of the show is the use of animation. Designed by Tom Munday, these serene, simplistic images are projected onto a screen on the set and add a depth and delicacy to Chief's memories. They add a mark of originality on production, which differentiates itself from the film or novel. Paul Taylor-Mills's direction shows his ability to fully exploit the space and maximise the talent of the actors.
The set is fantastic and resonates well with images of flying paper birds. These motifs appear in the animation installations and the production's artwork. At times, the background muzak is a little overbearing but this could be seen as adding to the claustrophobic feel of the hospital ward setting.
This performance is a perfect celebration for the 50th anniversary of the novel; it is entertaining throughout, with the rare ability to evoke both laughter and tears within a moment. A well produced, well edited and highly recommended production of Dale Wasserman's play.
