Once Upon A Time: Naughty Fairy Tales Your Mother Never Told You

What was it Margaret from The Apprentice said about Edinburgh University this year? 'Perhaps it's not what it used to be...'. I shudder to think what she'd say about Oxford and Cambridge after watching this less-than-stellar production from 'Two Shades of Blue', a collaboration between both the Universities Light Entertainment Societies.The rough concept of 'Once Upon a Time: Naughty Fairytales Your Mother Never Told You' is to take some well know nursery characters, such as Prince Charming, Pinocchio and Puss in Boots, sex them up a bit and stick them in an adult adventure. As show ideas go, this is pretty good, and you'd think there's plenty of fun to be had in this world. However, fun this show certainly is not, with this production failing to amuse on almost every level.The opening song and dance routine is lacklustre, without even a backing track to sing along to. The students lack any kind of conviction in the characters they're portraying, almost looking embarrassed to be on stage in the first place. There's no voice projection, no signs of any stage blocking, no set (despite several messy scene changes?), but worst of all, no attempt to get any laughs from the audience.The script isn't all that bad, with some nice ideas such as the Prince Charming who thinks he's James Bond, and the smug 'Mirror Mirror on the wall' who only answers to questions that rhythm. Unfortunately the cast fail to breathe any life into these characters with no enthusiasm on display whatsoever. Only one actor comes out of this Titanic mess with any dignity. Prince Charming (sorry, no cast list given) is at least aware he's in a comedy, and tries to raise a few laughs with a decent performance. But without any backup from his cast mates, he's fighting a losing battle.Some of the dialog really resonated with the audience though, with 'Oh it's hopeless, we're never going to get out of here', and 'I can't believe I'm still stuck in this horrible room when I could be doing something exciting' prompting eight people to leave.The cast even had the cheek to sing about 'going to the pub to get drunk' in the second song of the night, which thankfully was the closing number. The only way they could redeem themselves would be to take the remaining audience to the pub with them, buy several drinks, and say 'Sorry'.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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The Blurb

Join a less-than-charming Prince and Puss-in-Stilettos in their comedic quest for happy ever after. ''Allo 'Allo!' meets 'Shrek' and the sauciest 'Carry On' movie. www. twoshadesofblue.org.uk

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