No Place for Dreams

Brief Candle describe this piece as a play for “family audiences”. As a seasoned and cynical single man I wondered what that meant. Is it really possible to present a piece of work on The Fringe which would appeal to all ages that wasn’t saccharine and twee? If such a thing were possible, surely it wouldn’t have an edge or a message.

Wrong. Written by Paul Whitfield this is as exciting and dynamic a piece of theatre as I have seen this year and it did hold the attention of the whole audience, some of them as young as three or four. On one level it’s a simple morality tale. In an ancient, mythical world, the tribes or races are defined by the four elements, earth, air, fire and water. Ruled over by a stern deity the four peoples are forbidden from interacting. One of the earth or Mud People, Loam (Stuart Rooker) defies these rules, and falls in love with Asha (Francesca Larkin) of the Fire Tribe. What follows is a breathtakingly fast and often very funny yarn of love triumphing over obstacles. The four actors (Samantha Worall as Shell and Robert Snell as Nimbus complete the quartet) are all extraordinarily versatile and the performance committed. Whitfield’s script is clever and brave – some of it is actually quite scary, not balking at dealing with death and pain in front of its mostly very young audience.

Under David Shimwell’s ceaselessly inventive direction we are really drawn into this macabre and beautiful world. A relatively simple set and ingenious use of a floor cloth means a myriad of environments appear before our eyes. There’s a certain amount of audience participation, but for the most part it is the tightness and bravery of both script and production that carry the day.

As one wanders around The Fringe and overhears conversations about agents and casting directors and London transfers it is refreshing to discover a company like this, doing amazing quality work on minimal resources just because that’s what they enjoy doing and, yes, entertaining all the family. The play’s message, of tolerance and acceptance and being proud of what you are is told with subtlety and bravery.

May this brief candle flicker for some time to come.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
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Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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The Blurb

Brief Candle, the acclaimed young people's theatre company, make their Fringe debut with this exciting new play suitable for audiences ages 7+. Join us on an adventure full of energy, excitement, and theatrical imagination. www.briefcandle.co.uk

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