Nick Hodder: Insert Comedy Here!

The Camden Fringe is home to many different types of performer; opera singers, musicians, burlesque dancers and poets. I have to admit though that I never expected to see a piece of performance art like this.

I say performance art because, whatever this is, it isn't comedy. And the terrible thing is that it feels like it could all have been avoided with a little thought.

The conceit of the show has Hodder playing a clueless, more-than-a-little pathetic nerd attempting to conduct his first gig with aid of a teach-yourself-comedy CD. And I'm sure in Nick's head this seemed like a wonderful opportunity to subvert the conventions of comedy. The reality of it is a man, apologising to a recording of himself for an hour. And it's simply not funny.

The reason it all goes so wrong is very simple - Hodder doesn't appear to have written any material. There's no attempt to play with the audio-guide structure, no attempt to show what happens if you follow the rules of stand-up literally, without any common sense. This is character comedy without a character - not even phoned in, just left as a recorded message.

There is, admittedly a place, for anti- comedy of this sort but make no mistake, it takes more preparation and audience rapport than any conventional set. And, in order to mock the rules, it has to follow them. 

Those comedians, such as Stewart Lee, who can make the genre work for them have spent years polishing and refining. Without that level of craft you get 'Insert Comedy Here'; not ironic, just disappointing.

All this is a shame because Hodder does show some natural talent as a comedian. His in-character banter with the audience before the show was quick and his analysis of comedy is accurate. However, he doesn't make much of this skill. It's not enough to simply point out the cliche that women love shopping - you have to make a joke of it. Even Keith Chegwin would try to do that.

'Insert Comedy Here' is an interesting concept badly executed. It sets itself up to make a point but then never quite gets there becoming, ultimately, a waste of our time and the performer's. You're a comedian Nick. Next time, tell some jokes.

Reviews by Tom King

Underbelly, Cowgate

Lucy Farrett: Lois

★★★★
Underbelly, Cowgate

She Sells Sea Shells

★★★★
Summerhall

A Fortunate Man

★★★
Underbelly, Bristo Square / Underbelly, Cowgate

The Cat's Mother

★★★
The Stand Comedy Club 3 & 4

Phill Jupitus: Sassy Knack

★★★★
Traverse Theatre

Nigel Slater’s Toast

★★★

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now

The Blurb

Stand-up comedy show

Most Popular See More

Wicked

From £25.00

More Info

Find Tickets

Mamma Mia!

From £15.00

More Info

Find Tickets

The Lion King

From £35.00

More Info

Find Tickets

Moulin Rouge! The Musical

From £30.00

More Info

Find Tickets

The Book of Mormon

From £24.00

More Info

Find Tickets

The Mousetrap

From £30.00

More Info

Find Tickets