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Milton Jones On The High Road

Milton Jones enters, characteristically via scooter, clad in a blue print shirt, orange trousers, orange shoes, and hair which defies gravity. He is heckled by a man from Gibraltar and almost as soon as his nationality is revealed Jones informs him that he ‘rocks’. This man is quick-witted, far from egotistical and a comic who will never be caught laughing at his own jokes. Jones’ stage presence is controlled and his mastery of silly accents and funny faces is commendable.

Unable to give away his secret, I can but say something about his style. Jones will begin by saying, in a very matter-of-fact tone, something which at first will strike you as the oddest thing you’ve ever heard. He will then either stare into the audience as if bemused by their presence, or he will shift his gaze from side to side shiftily. After he has timed this manoeuvre to perfection, he will provide the punchline – the totally unexpected, weird, witty-as-hell punchline that crowns him a linguistic lord.

What Jones does with the English language is akin to a child’s treatment of coloured tissue paper. He rips it up and makes confetti out of it for our amusement. Common phrases like ‘my other half’ or ‘the butterflies in my stomach’ have been scrutinised by this inventive mind and - with expert timing - the fruits of this scrutiny are presented to us. Puns, rhymes and sounds of the language are all at Jones’ disposal. A similar treatment is given to images when Jones drags out a projector for the purpose of showing us seemingly nonsensical cartoons, and then explaining their bizarre origins to us. This stuff is clever. Do not be alarmed if you find yourself laughing, belatedly, at a joke Jones told three minutes before. As Jones says, ‘Some of you will only get that one on the way back’, but if this is the case you’ll find yourself chuckling the whole way home.

Milton Jones is an all-round crowd-pleaser. This is totally family friendly, uncontroversial stuff, with a few sneaky, darkly comic jokes that are all the more fun and memorable because they are so rare. This is one-liner comedy at its best and if given the choice between Milton’s way or the highway for an evening out, be sure to take the correct turning.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

The Blurb

Mock the Week, Live at the Apollo and nine radio series. One-liners, pictures, stupid, stupid, stupid. ‘He’s fast absurd, and very funny’ (Radio Times). 'No-one can touch Jones when he hits his stride' (Guardian).
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