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Micky Overman: Hold On

What really drives Mick Overman’s material in Hold On is her ability to mix wider generalisations with specifics about her own experiences of a given scenario or norm. It’s quite unassuming in that the undercurrent of this hour deals with quite a heavy and personal subjects told through the lens of coping mechanisms, but the way in which Overman talks about them is sometimes quite silly.

An incredibly engaging performer on a personal and comedic level that just makes this hour enjoyable to watch and a privilege to be a part of

A question is posed at the start of the hour by Overman, which everything links back to. She essentially pops the bubble on social norms and things that just are with her comedy and tone, which provides a, “This is weird right?” underlying tone to everything. Interspersed in this show are personal anecdotes as she segues into tangents that over-explain the initial scenario, creating a kind of spiral of thought that constantly calls back to earlier material to emphasize or elongate a joke, basically to keep us laughing as much and as long as possible. It's almost as if she is giving us a visual example of her thought process and looping us into it. There’s a degree that Overman becomes emotionally and physically involved in the material, she’s not just telling jokes and weaving her narrative, she’s living the material in the moment. In addition, occasionally there’s a slight glint in Overmna’s eye, a sort of anticipation of the punchline, of our reaction, but whether that’s mischief, pride in the quality of her material, or a mixture of both, only she knows.

There’s an ongoing commentary that Overman engages in about her own material, making off-the-cuff jokes or one-liners, adding dynamism to her performance. There’s never a dull moment or a missed beat, and over the course of Hold On, and Overman completely holds our attention, which in the age of social media, is a rarity.

It’s not always clear why we're laughing because of anything more than Overman is just a naturally funny person, to the point where it becomes as easy as breathing for us. Overman’s comedy is this strange mix of silly and powerful, focusing in on herself and her experiences to exemplify the larger forces at work around us. She’s an incredibly engaging performer on a personal and comedic level that just makes this hour enjoyable to watch and a privilege to be a part of.

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Reviews by Katerina Partolina Schwartz

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Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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Performances

Location

The Blurb

All of a sudden, comedian Micky Overman finds her life going the direction she’s always wanted. The path has been set, she just has to follow it. So why is she finding that so hard? A show about change, commitment and letting go of your old self. Join Micky as she desperately fights against her old coping mechanisms, whilst contemplating love, the art of gift giving and Ozzy Osbourne. ***** (Funny Women). **** (Scotsman). **** (Chortle.co.uk). **** (BroadwayBaby.com). **** (List). 'Top-notch lines that wouldn’t be out of place in an A-lister’s Netflix special' (Chortle.co.uk).
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