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Mark Grist & MC Mixy: Dead Poets' Death Match
  • By Tom King
  • |
  • 13th Aug 2014
  • |
  • ★★★★

Standing centre stage in a dress and a dodgy blonde wig, Mark Grist jokes that this is what two guys with Arts Council funding really look like. It’s doubtless meant self-deprecatingly but, in my opinion, it’s a good use of the money.

Even when not showing off their verbal trickery, Grist and Mixy are warm, honest and touching.

Not because Grist looks good in a dress (though I’ve seen worse…) but because this is a genuinely excellent mix of amusing and educational. Grist and his partner Mixy (collectively the Dead Poets) have chosen their Top Eight deceased legends of verse and it’s up to the audience to pick which four of these they want to learn more about before settling on two for the titular deathmatch rap battle that closes the show.

Our line-up was virgin poetess Christina Rossetti, ex-Laureate Ted Hughes, father of hip-hop Gil Scott Heron and surprise outsider Jon Clare, a local hero from the Dead Poets’ native Peterborough. Each of these received a short poetic summary of their lives followed by a piece from both Mixy and Grist explaining their feelings towards them.

This format is an excellent one because, as well as being very engaging stage presences, the Dead Poets are fantastic poets and rappers. The range of different styles on display here was fantastic. As well as standard flowing verse, Grist presented a univocal, a poem where only one vowel is used throughout, lasting at least ten verses: a Herculean feat. However, topping this for sheer balls was Mixy’s tribute to Scott-Heron, a freestyle rap created on the spot from ten words given him by the audience (can you think of a rhyme for ‘Heisenberg’?)

Even when not showing off their verbal trickery, Grist and Mixy are warm, honest and touching. Through his tributes to Rossetti, Hughes and Scott-Heron, we get an insight into Grist’s upbringing in the Northern isles of Scotland, his first attempt at getting stoned and his first crush. Mixy gives us his experiences of racist parents while dating and the trials of a freestyle rapper who has to admit his home streets are in a town called Milky Nook.

After the genuine emotion on display elsewhere in the show, the final battle between Rossetti and Scott-Heron was almost a bit of an anti-climax; a little pre-prepared. However, from its 8-bit visuals to its costumed ending, this is still a fantastically amusing show and one that might actually teach you something too.

Reviews by Tom King

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Since you’re here…

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Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
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Performances

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The Blurb

Mark Grist and MC Mixy came here to battle. Their backup? An assortment of famous (and dead) poets. It's fast, it's frantic and they have no idea who will win. Fancy seeing Sylvia Plath take on Ted Hughes? How about Rabbie Burns up against Byron? In the Dead Poets Death Match you'll choose the competitors and you'll be the ones who'll crown the winner. There can only be one. Let the wordy bloodbath begin! 'Brings the house down' **** (Guardian). 'Makes Mike Skinner from The Streets look decidedly average' **** (Scotsman).
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