Man to Man

There were a lot of expectation around this new Wales Millennium Centre production of Manfred Karge’s one-woman play, Man to Man. Back in 1987, Karge himself had directed a young Tilda Swinton in a career-establishing performance at the Traverse, in it’s former Grassmarket home. Yet in 2017, while Bruce Guthrie and Scott Graham have certainly given an engaging Maggie Bain an inventive and visually stylish staging, this version nevertheless fails to quite gel.

there’s no doubt Guthrie and Gorham ensure we always have something to look at.

Bain plays Ella Gericke, who is forced by financial necessity in 1930s Germany to take on the identity—and, more importantly, the job—of her dead crane-operator husband Max. Bain’s physically impressive as she switches from gentle, graceful Ella to a necessarily more wiry Max and to the other people in the story, her Scottish accent deliberately strongest when playing the workers in the pub that she can’t—as a man—avoid. She roams the near-empty stage, now an old man living on pension and beer; such a contrast to when remembering the princess fairytales of her childhood.

Richard Ken’s set is large, though significantly empty except for a chair, a metal-framed bed and mattress. Just like Ella as Max, though, appearances are deceptive; the seemingly dull walls become fragile screens on which are projected Rick Fisher’s emotive lighting and Andrzej Goulding’s beguiling projections. Meantime Mike Walker’s soundscapes, be they muffled chatter or the distant thump of heavy artillery, add depth to the atmosphere. Surprisingly, the set itself is strong enough to support Bain as she clambers up and around during the action; there’s no doubt Guthrie and Gorham ensure we always have something to look at.

Yet there’s a sense this visually impressive staging is nothing more than theatrical jazz-hands intended to distract us from an examination of gender identity which, while presumably radical in 1987, already now feels somewhat dated and all-too male-focused. Perhaps, in the end, it might have been better simply to trust Bain as a performer to carry the drama without the need for the likes of a digitally crumbling Berlin Wall in reverse.

Reviews by Paul Fisher Cockburn


One of Two

Scottish Storytelling Centre

Moira in Lockdown

Laughing Horse @ Bar 50

Love and Sex on the Spectrum

Royal Lyceum Theatre

Mrs Puntila And Her Man Matti


Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
Donate to Acting For Others now



The Blurb

A striking, spellbinding modern fairy tale telling the true-life story of Ella Gericke, forced to adopt the identity of her dead husband in order to survive in Nazi Germany – plunged into a claustrophobic existence dominated by the fear of discovery.

Most Popular See More

Mamma Mia!

From £18.00

More Info

Find Tickets

Frozen the Musical

From £27.00

More Info

Find Tickets


From £21.00

More Info

Find Tickets

Matilda the Musical

From £24.00

More Info

Find Tickets

The Play That Goes Wrong

From £24.00

More Info

Find Tickets

The Lion King

From £42.00

More Info

Find Tickets