Magpie and Stump in Lolitary Confinement

The comedy club of Trinity College Cambridge consists of a stuffed bird (Magpie) and a handful of aspiring stand-up comedians. Compère, Charlie Palmer (Stump), warms up the audience in his delightfully goofy manner, producing some chuckle-worthy puns and keeping the atmosphere friendly. The worst of the word-play is in the show's title, so it gets marginally better. Palmer works very hard, a gratefully received light relief to break the tension between nervous comics.

First up is multi-lingual Charlotte Martin, impressively incorporating her fluent French and German into her routine. She makes some amusing observations on German language and culture, delivering lines with earnest breathlessness.

Lee Zhao makes some jokes that are so non-PC the audience feel guilty for laughing, but he is charming enough to get away with it. He starts out promisingly but frays at the edges as he strays into the topic of bestiality. Ben Weisz performs some patchy political commentary and impressions, shooting himself in the foot by forgetting to use the microphone. He does produce a belly laugh for his accurate impression of Robert Peston, but he stretches the material for a bit too long.

Finally, the only performer not be shivering with stage-fright is the confident and charismatic Marcus Martin, presenting a solidly funny and flowing routine, the only polished comedian of the night. The hour passes surprisingly quickly and the show is good value for money at only £6. Compared to some of the frightfully bad stand-up shows at the Fringe, the Magpie and Stump performers are witty and amusing - if only they had a little more confidence.

Since you’re here…

… we have a small favour to ask. We don't want your money to support a hack's bar bill at Abattoir, but if you have a pound or two spare, we really encourage you to support a good cause. If this review has either helped you discover a gem or avoid a turkey, consider doing some good that will really make a difference.

You can donate to the charity of your choice, but if you're looking for inspiration, there are three charities we really like.

Mama Biashara
Kate Copstick’s charity, Mama Biashara, works with the poorest and most marginalised people in Kenya. They give grants to set up small, sustainable businesses that bring financial independence and security. That five quid you spend on a large glass of House White? They can save someone’s life with that. And the money for a pair of Air Jordans? Will take four women and their fifteen children away from a man who is raping them and into a new life with a moneymaking business for Mum and happiness for the kids.
Donate to Mama Biashara now

Theatre MAD
The Make A Difference Trust fights HIV & AIDS one stage at a time. Their UK and International grant-making strategy is based on five criteria that raise awareness, educate, and provide care and support for the most vulnerable in society. A host of fundraising events, including Bucket Collections, Late Night Cabarets, West End Eurovision, West End Bares and A West End Christmas continue to raise funds for projects both in the UK and Sub-Saharan Africa.
Donate to Theatre MAD now

Acting For Others
Acting for Others provides financial and emotional support to all theatre workers in times of need through the 14 member charities. During the COVID-19 crisis Acting for Others have raised over £1.7m to support theatre workers affected by the pandemic.
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The Blurb

Some say we’ve successfully toppled Ugandan warlords just by posting on Facebook and that Bono introduced us to coriander. All we know is that we’re Magpie and Stump, Cambridge’s oldest and funniest comedy society.

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